Master Project 4
Subject is not scheduled Not scheduled
Code | Completion | Credits | Range | Language Instruction | Semester |
---|---|---|---|---|---|
174MP4 | credit | 12 | 9 seminar hours (45 min) of instruction per semester, 5 exercise hours (45 min) of instruction per semester, 290 to 350 hours of self-study | English, Czech | summer |
Subject guarantor
Name of lecturer(s)
Department
The subject provides Jazz Interpretation Department
Contents
Learning objectives:
The Master's Project course serves as preparation for the student's final graduate project. The project is a concert, supplemented by a recording on CD or other media, if necessary. The preparation of the project includes all organizational details such as the choice and reservation of the concert venue, its promotion, etc.
The course is taught in the form of continuous individual consultations, the student presents partial progress in the preparation of the project in class. At the end of the semester, the student demonstrates the status of the project preparation in the form of a concert.
Thematic areas:
- FINISHING THE PROJECT - completing the repertoire into the final form of the final concert and rehearsing it with the accompanying ensemble.
- Work related to the realization of the MAGISTRY CONCERT - securing the concert venue, promotion of the concert (web, Facebook, printed posters, etc.)
- PREPARATION OF THE SEMESTERLY CONCERT - choosing the appropriate form of presentation of the partial results of the project. This presentation will correspond to the form of the final concert, including the repertoire, with the exception of the personnel of the ensemble, which may not be identical to that of the Master's concert.
Learning outcomes
The student publicly presents high quality artistic performance as a solo and ensemble player. Realises, transforms, creates, arranges and/or produces music at a high professional level, expressing their own artistic concepts at the level of a developed musical personality. Possesses a comprehensive knowledge of jazz music repertoire and demonstrates a high level in creating and delivering seamless musical experiences and interpretations. Develops, presents and implements artistic programmes that are coherent and appropriate for a variety of contexts. Has a high level of appropriate presentation skills in all aspects of their practice and activities.
Prerequisites and other requirements
not
Literature
Required reading:
Recordings of music stylistically or conceptually related to the student's project or that inspires the student's project.
Recommended reading:
GOLDSTEIN, Gil. Gil GOLDSTEIN, Gil GOLDSTEIN, Jazz Composer's Companion. Rottenburg: Advance Music, 1993.
HINDEMITH, Paul. The Composer's World. Prague: AMU Publishing House, 2008. ISBN 978-80-7331-132-2.
MILLER, Ron. Modal Jazz, Composition & Harmony. Rottenburg: Advance Music, 1992.
THAKAR, Markand. Counterpoint, the basics of musical performance. Prague: AMU Publishing House, 2012. ISBN 978-80-7331-254.
Evaluation methods and criteria
active participation in exercises, successful performance of the semester concert
Other requirements: minimum 50% attendance
Note
They're not.
Further information
No schedule has been prepared for this course
The subject is a part of the following study plans
- Jazz Studies (MA) - from 2023/24 (Required main subjects)
- Jazz Interpretation (Mg) (Required main subjects)
- Jazz Interpretation (Mg) (Required main subjects)