doc. MgA. Jaromír HONZÁK
Teacher's web page
Courses
- Development of Instrumental Practice in Jazz History 1 (Course guarantor)
- Didactics/Teaching Practicalof - Jazz 1 (Course guarantor)
- Dissertation Artistic Work 1
- Dissertation Artistic Work 2
- Dissertation Artistic Work 3
- Dissertation Seminar 1
- Dissertation Seminar 2
- Dissertation Thesis 1
- Dissertation Thesis 2
- Dissertation Thesis 3
- Ensemble Play 1 (Course guarantor)
- Ensemble Play 3 (Course guarantor)
- Ensemble Play 5 (Course guarantor)
- Hearing training1
- Hearing training3
- Improvisation Jazz Instruments 1 (Course guarantor)
- Improvisation Jazz Instruments 3 (Course guarantor)
- Improvisation Jazz Instruments 5 (Course guarantor)
- Instrumental Playing 1 (Course guarantor)
- Instrumental Playing 3 (Course guarantor)
- Instrumental Playing 5 (Course guarantor)
- Interpretation Seminar 1
- Interpretation Seminar 2
- Interpretation Seminar 3
- Jazz Ensemble 1 (Course guarantor)
- Jazz Ensemble 3 (Course guarantor)
- Jazz Music History 1 (Course guarantor)
- Jazz Music History 3 (Course guarantor)
- Jazz Theory 1 (Course guarantor)
- Jazz Theory 3 (Course guarantor)
- Jazz Theory 5 (Course guarantor)
- Master Project 1 (Course guarantor)
- Master Project 3 (Course guarantor)
- Rhythm Ensemble 1 (Course guarantor)
- Rhythm Ensemble 3 (Course guarantor)
- Rhythm Ensemble 5 (Course guarantor)
- The melodic percussion Instruments-Jazz 1 (Course guarantor)
- The melodic percussion Instruments-Jazz 3 (Course guarantor)
- The melodic percussion Instruments-Jazz 5 (Course guarantor)
Diploma thesis led and defended successfully
- BcA. Tichý Petr – Kontrabas v jazzu jako sólový nástroj
- MgA. Beneš Petr – Kompoziční prvky v díle Pata Methenyho
- Kyncl Jan – Kvarteta bez harmonického nástroje v současném jazzu
- MgA. Šmoldas Libor – Opomíjený soul-jazzoví kytaristé 60.let
- BcA. Debřička Martin – Henry Threadgill
- BcA. Dusová Nela – Ženská otázka v jazzu
- BcA. Brun Grégoire – Jazz v Itálli a vývoj italského stylu v Americe
- BcA. Nohavica Petr – Vliv Israelské lidové hudby na jazzovou hudbu současnosti
- BcA. Pudláková Klára – Volná improvizace jako kolektivní kompozice
- MgA. Tomeček Kryštof – Perkusivní technika hry na akustickou kytaru a její snímání
- BcA. Zeman Pavel – Charlie Haden a jeho doprovodná hra ve standardech
- MgA. Lacina Jan – Analýza stylu Kurta Rosenwinkela na albu Our Secret World
- MgA. Pudlák Jan – Craig Taborn a vývoj jeho dosavadní tvorby