Development of Instrumental Practice in Jazz History 2
Subject is not scheduled Not scheduled
Code | Completion | Credits | Range | Language Instruction | Semester |
---|---|---|---|---|---|
174VNHJ2 | credit | 4 | 2 lecture hours (45 min) of instruction per week, 79 to 99 hours of self-study | English, Czech | summer |
Subject guarantor
Name of lecturer(s)
Department
Předmět zajišťuje Jazz Interpretation Department
Contents
Learning objectives:
This course is designed to provide an overview of the development of playing a particular instrument (the instrument the student plays) from the beginnings of jazz to the present. The student will become familiar with all the major innovators and important soloists throughout jazz history and the distinctive features of their style. The emphasis is on a thorough theoretical knowledge, not on practical practice of the style of representatives of each stage of jazz development.
Thematic areas:
- FREE JAZZ - important representatives of this epoch, characteristics of their style, important players/bandmates, important recordings.
- FUSION JAZZ - important representatives of this era, characteristics of their style, important bandmates / bandleaders, important recordings.
- JAZZ 80s and 90s - important representatives of this epoch, characteristics of their style, important bandmates / bandleaders, important recordings.
- JAZZ FROM 2000 TO PRESENT - important representatives of this epoch, characteristics of their style, important bandmates / bandleaders, important recordings.
- EUROPEAN SCENE - important representatives of European jazz, characteristics of their style, differences from American players.
- CZECH JAZZ SCENE - important representatives of the history and present of Czech jazz.
Learning outcomes
Student is oriented in the development of playing a specific instrument through knowledge of the history of world and national jazz music of a given time period. Has an overview of important soloists and innovators and can describe the distinctive features of their playing.
Prerequisites and other requirements
not
Literature
Required reading:
GRIDLEY, Mark, C. Jazz Styles. New Jersey: Prentice Hall, 1988.
Recordings of a specific instrument in the archives of the instructor and the Department of Jazz Music at HAMU.
Evaluation methods and criteria
Attendance at least 50%
Note
None
Further information
No schedule has been prepared for this course
The subject is a part of the following study plans
- Jazz Studies (MA) - from 2023/24 (Required subjects with the possibility of repeat registration)
- Jazz Interpretation (Mg) (Required subjects with the possibility of repeat registration)
- Jazz Interpretation (Mg) (Required subjects with the possibility of repeat registration)