Theory of Composition 5
Name of lecturer(s)
Learning outcomes of the course unit
Recognition of newer theory works related to the analysis of music works and music compositions.
Mode of study
Lectures and analyses of presented works. Student independent study directed by instructor.
Prerequisites and co-requisites
Regular participation in lessons and active participation in discussions. Study of assigned study literature for the final test.
Just intonation - theory, systems (Gann, Sabat, Asselin)
Psychoacoustics (Vassilikas, Deutsch).
Recommended or required reading
Pearsall, Edward. Twentieth century music theory and practice. New York : Routledge 2012
Kyle Gann - www
Myles Skinner - www
Marc Sabat - On Ben Johnston´s notation
Tenney, Polansky: Meta-Hodos
Assessment methods and criteria
Active participation in discussions and final test.
Schedule for winter semester 2019/2020:
Schedule for summer semester 2019/2020:
The schedule has not yet been prepared
The subject is a part of the following study plans
- Composition-Specialization electroacoustic music (Mg) (required subject with the possibility of repeat registration)
- Composition-Specialization Film Music (Mg) (required subject with the possibility of repeat registration)
- Composition-Specialization Composition (Mg) (required subject with the possibility of repeat registration)