Theory of Composition 6

Subject is not scheduled Not scheduled

Code Completion Credits Range Language Instruction Semester
186TS6 ZK 2 2T Czech summer

Subject guarantor

Name of lecturer(s)

Learning outcomes of the course unit

An understanding of contemporary theoretical works regarding music analysis and composition.

Mode of study

Lectures and analysis of provided materials. Student self-study according to the instructor.

Prerequisites and co-requisites

The text is in preparation.

Regular attendance and active participation in discussions. Study of assigned literature for the final test.

Course contents

Elliot Carter

Non-european rhythms.

Indeterminism.

Iannis Xenakis.

Recommended or required reading

BERNARD, Jonathan W. The Evolution of Elliott Carter's Rhythmic Practice. Perspectives of New Music, Vol. 26, No. 2 (Summer, 1988), pp. 164-203. Stable URL: http://www.jstor.org/stable/833189

Double concerto : for harpsichord and piano with two chamber orchestras

Cage, John. Silence. Praha: tranzitdispay, 2010

Elliott Carter : collected essays and lectures, 1937-1995. Ed. Jonathan W. Bernard. Rochester : University of Rochester Press, 1997.

Double concerto : for harpsichord and piano with two chamber orchestras

Grafické partitury a koncepty : Graphic scores and concepts. Praha : Audio ego , 1996.

Reina, Rafael. Applying Karnatic Rhythmical Techniques to Western Music. London, New York : Routledge, 2016. ISBN: 978-1-4724-5150-7

XENAKIS, Iannis. Formalized music. Hillsdale : Pendragon Press, 1992.

http://www.univ-montp3.fr/~solomos/oniannis.html

Assessment methods and criteria

Active participation in discussions and the final test.

Note

None.

Further information

No schedule has been prepared for this course

The subject is a part of the following study plans