Authorial Presentation 5

Subject is not scheduled Not scheduled

Code Completion Credits Range Language Instruction Semester
202EAB5 exam 3 2 hours (45 min) of instruction per week, 54 to 69 hours of self-study English summer

Subject guarantor

Name of lecturer(s)


Screenplay preparations, exams, consultations and performance.

Learning outcomes

Integration of skills and experiences acquired during study in individual courses to a communicative persuasive stage form.

Prerequisites and other requirements

Students must select an advisor among the dept. instructors for the original work presentation preparations who will have no ideas in the directing or writing of the screenplay.


The original presentation is independent which excludes the use of literature, citations and texts by others for the topic.

Brook, Peter: The Empty Space. New York: Simon and Schuster, 1996.

Donnellan, Declan: The Actor and the Target. London: Nick Hern Books, 2005.

Eichenbaum, Boris and Beth, Paul and Nesbitt, Muriel: The Structure of Gogol's „The Overcoat“, The Russian Review, Vol. 22, No. 4 (Oct., 1963), pp. 377–399.

Esslin, Martin: The Theatre of the Absurd. New York: Anchor Books, 1969.

Frisch, Max: Sketchbook, 1946–1949. New York; London: Harcourt Brace Jovanovich, 1977.

Jung, Carl Gustav: Psychological Types. Great Britain: Tylor and Francis Ltd., 2016.

Vyskočil, Ivan and company: (Inter)acting with the inner partner. (Edited by Michal Čunderle and Alex Komlosi), Czech translated by Alexander Komlosi. Praha: Brkola, 2011.

Evaluation methods and criteria

Idea (subject) originality, dramaturgy work on it, movement, voice and speech performance, communicability of theatre devices and uniqueness of original expression are assessed.

Further information

No schedule has been prepared for this course

The subject is a part of the following study plans