Group Training of Voice Education 1

Display Schedule

Subject guarantor

Tereza JANDA ROGLOVÁ

Name of lecturer(s)

Tereza JANDA ROGLOVÁ

Department

Předmět zajišťuje Department of Authorial Creativity and Pedagogy

Contents

Vocal education is understood as an educational component of „quality self-realization“ in the sense of aiming towards self-knowledge and personal potential. This aim is, as well, called by education through the voice. All KATaP psychosomatic discipline studies aim towards this.

Learning outcomes

• Create impulses to a general acknowledgement of the significance of the psychological fundament of individual functional optimal vocal training.
• Develop the fundaments of voice and the psychosomatic condition of the individual; for this there is a need for introducing a corresponding psyschosomatic vocal training system for each organism a harmonically tuned function (in the sense of a harmonic interplay of the heathy, life-giving, psychological, somatic and vocal).
• The intermediator primarily is a conscious mastery of breath which renews the harmonic balance between the body, mind and emotions.
• Understanding the mechanisms of natural (composite) breathing and its relationship to thought, muscle and emotions, that is, bring in principles of self-awareness and attempt to integrate the rational, sensorial and emotional awarenesses.
• Substantiate the reality that the voice is a conveyance of the quality of the human psychosomatically and co-creator of the whole of the expression of individuality.
• The quality of the voice reflects the tuning of the conscious and subconscious life of a person.

Prerequisites and other requirements

Basic music theory knowledge, middle-school knowledge of wind instruments, vocal and articulation apparatuses. Musicality. Interest in the study. Presumed education.

Literature

Seikel, John A.: Anatomy and Physiology for Speech, Language, and Hearing. Clifton Park Delmar cengage learning 2010.

Zinder, David G.: Body voice imagination image. London, New York: Routledge 2009.

Garfield Davies, D.: Care of the professional voice, a guide to voice management for singers, actors and professional voice users. New York: Routledge 2005.

Marafioti, P. Mario: Caruso´s Method of Voice Production the Scientific Culture od the Voice. New York: Appleton-Century 1937.

Linklater, Kristin: Freeing the natural voice. New York: Drama Book Publishers 1976.

Houseman, Barbara: Finding your voice, a step-by-step guide for actors. London: Nick Hern Books 2012.

Titze, Ingo R.: Principles of voice production. Iowa City: National Center for Voice and Speech 2000.

Miller, Donald: Resonance in singing voice building through acoustic feedback. Princeton: Inside view press 2008

Stebbins, Genevieve: Society gymnastics and voice-culture adapted from the Delsarte system. New York: Edgar S. Werner Publishing & Supply Co. 1888

Rodenburg, Patsy: Speaking Shakespeare. London: Methuen 2002.

Rodenburg, Patsy: The actor speaks voice and the performer. London: Methuen Drama 2005.

Rodenburg, Patsy: The Need for Words Voice and the Text. London: Methuen 2005.

Salzman, Eric: Thenew music theater seeing the voice, hearing the body. New York: Oxford University Press 2008.

Newham, Paul: Therapeutic voicework principles and practice for the use of singing as a therapy. London, Philadelphia: Jessica Kingsley 1998.

Rodenburg, Patsy: The Right to Speak working with the voice. London: Methuen 1992

Lewis, Dennis: The Tao of Natural Breathing for Health, Well-Being and Inner Growth: San Francisco: Mountain Wind Publishing 1997

Edgerton, Michael Edward: The 21st-century voice contemporary and traditional extra-normal voice. Lanham: Scarecrow Press 2004.

Alschitz, Jurij: Training forever!. Malmö: Lund University, Malmö Theatre Academy 2003.

Titze, Ingo R.: Vocology the science and practice of voice habilitation. Iowa City: Utah National Center for Voice and Speech 2012.

Shewell, Christina: Voice work art and science in changing voices. Chichester: Wiley-Blackwell 2009.

Martin, Jacqueline: Voice in modern theatre. London: Routledge 1991.

Gutekunst, Christina: Voice into acting Integrating voice and the Stanislavski approach. London, New York: Bloomsbury Methuen Drama 2014.

Berry, Cicely: Voice and the Actor. New York: Wiley Publishing 1973.

Berry, Cicely: Your voice and how to use it. London: Virgin Books 2000.

Campo, Giuliano: Zygmunt Molik’s voice and body work the legacy of Jerzy Grotowski. London, New York: Routledge 2010.

Chapman, Janice L.: Singing and teaching singing. 2012.

Fields, Victor Alexander: Training the Singing Voice. 1947.

Evaluation methods and criteria

Credit is awarded based on:

• Working activity in exercises and classes;
• completion of two reviews at the summary of both semesters;
• theory interview on voice technique theory and its importance for personal development.

Schedule for winter semester 2024/2025:

• Week view
• List

Schedule for summer semester 2024/2025:

The schedule has not yet been prepared

The subject is a part of the following study plans

• Authorial Acting in English (B.A.) (Required subjects)
• Authorial Acting in English (B.A.) (Required subjects)