History of Scenography 3

Subject is not scheduled Not scheduled

Code Completion Credits Range Language Instruction Semester
203DSIA3 credit 6 3 hours (45 min) of instruction per week, 123 to 153 hours of self-study English winter

Subject guarantor

Name of lecturer(s)

Contents

Seminars on the specific chosen topic of the master's project, search and study of source material in archives and museum collections. Seminars in art theory and scenography theory.

During the seminars, students are introduced to the findings and positions of important theorists of visual arts and scenography to be able to argue and defend positions based on them, aiming at understanding the philosophical foundations of the visual arts and scenography. Through reading, study, and presentation in seminars, they learn to interpret and to defend a scenographic project.

Learning outcomes

Upon completion of this semester, students are able to proove their ability to interpret the script visually and present a verbal and written defense of their master's academic projects.

Prerequisites and other requirements

None.

Literature

V.Koubská, J.Zbořilová, I.Brádková: Divadelní kostým, Praha 2014 ( Engl)

J.Pritchard : Diaghilev and the Ballets Russes, 1909-1929, Victoria and Albert Museum, London 2013 (Engl)

Metaphor and Irony 2 : František Tröster and contemporary Czech theatre design /[authors Marie Zdeňková, Delbert Unruh, Joe Brandesky , The Ohio State University, 2012 (Engl)

Arnold Aronson, The Routledge Companion to Scenography, ISBN 9780367509637, 2018 (Engl)

Arnold Aronson, Looking Into the Abyss: Essays on Scenography, University of Michigan Press 2005 (Engl)

Joe Brandesky (ed.): Jaroslav Malina in Scenography and Painting, Carolinum, 2019 (Engl)

Joe Brandesky: Czech theatre Design in the Twentieth Century, Iowa

J.M. Burian : Leading Creators of Twentieth Century Czech Theatre, London 2002

Pamela Howard, What is scenography, 2019

V.Koubská : Básník světla a prostoru, Praha 2007 (Engl)

V.Koubská : František Zelenka, Praha, 1994 (Engl)

V. Koubská : Antonín Heythum, Praha 2022 (Engl)

H.Bahr : Expresionismus, Mnichov, 1919 (Germ)

O. Schlemmer : Das Stuttgarter theatralische Abenteur, 1921 ( Germ)

M.Droste : Bauhaus 1919-1933 (reforma a avantgarda), Taschen Slovart, 2007 (Germ)

L.H. Eisner : The Haunted Screen, 1965 (Engl)

La Danza delle Avanguardie, Roveretto 2005 (Ita)

V. Ptáčková : Česká scénografie XX.století , Praha 1982 (pictures, illustrations, photographies)

Kolektiv autorů ( F.Černý ): Dějiny českého divadla , díl IV., Praha 1983 (pictures, illustrations, photographies)

M.Obst, A-Scherl : K dějinám české divadelní avantgardy, Praha 1962 (pictures, illustrations, photographies)

B.Srba : V zahradách Thespidových, Praha 2009 (pictures, illustrations, photographies)

B.Srba : Řečí světla, 2006 (pictures, illustrations, photographies)

M.Lamač : Osma a skupina výtvarných umělců, 1907-1917, Praha 1988 (pictures, illustrations, photographies)

Expresionismus a české umění (katalog), Praha 1994 (pictures, illustrations, photographies)

F.Černý : Premiéry bratří Čapků, Hynek Praha 2000 (pictures, illustrations, photographies)

J.Gillar: M.Kouřil a scénografie D 34 – D 41, Praha 1971 (pictures, illustrations, photographies)

H.Čapková : Bedřich Feuerstein: Cesta do nejvýtvarnější země světa, KANT 2014 (pictures, illustrations, photographies)

V.Tetiva, V.Koubská: František Muzika, Praha 2012 (pictures, illustrations, photographies)

V.Koubská, V.Valchářová : B.Feuerstein, scénografie, architektura, Praha 1996 (pictures, illustrations, photographies)

V.Koubská, D.Chaloupka, P.Štembera, J.Rous : A.V.Hrska, Praha 2014 (pictures, illustrations, photographies)

M.Nešlehová, R.Švácha, J.Hilmera : Vlastislav Hofman, Praha 2005 (pictures, illustrations, photographies)

Výtvarná práce na jevišti národního divadla, 1881 – 1941, Praha 1941 (pictures, illustrations, photographies)

Evaluation methods and criteria

75% participation in seminars, active discussion, independent preparation of the final master's thesis, pass/fail.

Further information

No schedule has been prepared for this course

The subject is a part of the following study plans