Film Implementation Practice 2
| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 203FRPA2 | credit | 3 | 60 hours (60 minutes) of practice or independent work in school per semester, 15 to 30 hours of self-study | English | winter |
Subject guarantor
Name of lecturer(s)
Jindřich KOČÍ, Ondřej NEKVASIL
Department
The subject provides Department of Stage Design
Contents
The course aims to acquaint the student with the preparation of a film shoot and ideally also with the actual making of the film.
The student will receive an offer of possible internships according to the FAMU schedule and ongoing film projects in the given period. The teachers of the Film Faculty are as helpful as possible at this stage and if they are working on a project themselves during the semester, they directly offer these internship positions. The internship term is not timed in any way and can be completed at any time during the semester. The internship must last at least 10 working days
Learning outcomes
The course aims to familiarize the student with the preparation of a film shoot and ideally also with the actual filmmaking.
The student will get an offer of possible internships according to the FAMU schedule and ongoing film projects in the given period.
Prerequisites and other requirements
The listener is familiar with the realization of drawing documentation and the work of the film crew.
Literature
ACKLAND-SNOW, Terry. LAYBOURN, Wendy. The Art of Illusion, Production design for Film and Television. Ramsbury: The Crowood Press, 2018. ISBN 978-1785003431.
BARNWELL, John. Production Design for Screen: Visual Storytelling in Film and Television. London: Bloomsbury Publishing Plc., 2017. ISBN 978-1472580672.
ETTEDGUI, Peter. Production Design and Art Direction (Screencraft). Eastbourne: Gardners Books, 1999. ISBN 978-2880463649.
LoBRUTTO, Vincent. The Filmmaker's Guide to Production Design. New York: Allworth Press, 2002. ISBN 978-1581152241.
McHENRY, David. Drawing the Line, Technical Hand Drafting for Film and Television. New York, London: Routledge, 2018. ISBN: 9781138290334.
PILE, John. Perspective for Interior Designers. New York: Whitney Library of Design, 1989.
RIZZO, Michael. The Art Direction Handbook For Film. Waltham: Focal Press, 2005. iSBN 978-0240806808.
SHORTER, Georgina. Designing for the screen: Production Design and Art Direction explained. Ramsbury: The Crowood Press, 2012. ISBN 978-1847973849.
WOODBRIDGE, Patricia. Designer Drafting for Entertainment World. Waltham: Focal Press, 2000. ISBN 978-0240804248.
WOODBRIDGE, Patricia. TINE, Hal. Designer Drafting and Visualizing for the Entertainment World. Waltham: Focal Press, 2000. ISBN 978-0240818917.
Evaluation methods and criteria
The internship can be conducted within the school, as a collaboration between Department of Scenography and FAMU International. Another option for stundets is the work on a professional project. The lecturer will inform students about current projects being shoot in Prague and students can apply for internship there. This option will be various as per amount of project sbeing in production during the school year. In this case stundent has to find internship supervisor (guarantor) on this project, with whom to do the internship and, upon completion of the internship, document it with a description of the internship signed by that supervisor.
Schedule for winter semester 2024/2025:
The schedule has not yet been prepared
Schedule for summer semester 2024/2025:
The schedule has not yet been prepared
The subject is a part of the following study plans
- Scenography - Production Design in EN (M.A.) (Required subjects)