Search for Context 3

Display Schedule

Code	Completion	Credits	Range	Language Instruction	Semester
204MDHS2	credit	3	2 seminar hours (45 min) of instruction per week, 54 to 69 hours of self-study	English	summer

Subject guarantor

Sodja ZUPANC-LOTKER

Name of lecturer(s)

Branislava KUBUROVIĆ

Department

The subject provides Department of Alternative and Puppet Theatre

Content of second semester is focused on art-based research, guiding students to investigate research questions or themes that link their artistic research to theory, and find resources and write about different practical and theoretical issues connected to their personal research interests. The course helps students explore and examine the relationship and balance between textual and artistic production. Students engage in research presentations, writing, and dialogue and sharing of their writing practices and outcomes.

Learning outcomes

Course graduate:

will acquire innovative approaches to performance making through the analysis and evaluation of theory and practice;
will cultivate an understanding of conceptual knowledge through own performance practice and independent research;
will be familiar with multiple theoretical approaches in a research project, and demonstrate an understanding of how to link them to own artistic practice;
will undertake advanced research projects that address significant areas of theory and/or practice in theatre and performance.

Prerequisites and other requirements

None.

Literature

Bachelard, Gaston, Poetics of Space

Claire Bishop, Artificial Hells: Participatory Art and the Politics of Spectatorship

Butler, Judith, Gender Trouble

Carlson, Marvin, Performance. A Critical Introduction

Stephen Duncombe, Dream. Re-imagining Progressive Politics in an Age of Fantasy

Etchells, Tim. Certain Fragments

Matthew Goulish, 39 Microlectures: In Proximity of Performance

Lehmann, Hans-Thies. Postdramatic Theatre

André Lepecki, Exhausting Dance: Performance and the politics of movement

North, Stephen M., The Making of Knowledge in Composition

Phelan, Peggy. Unmarked: The Politics of Performance

Schön, Donald A., The Reflective Practitioner

Evaluation methods and criteria

The student submits a semester thesis of at least 3500 words, which is the main subject of evaluation. The written skills and the content of the seminar work are evaluated.

During the exam period, the exam will take the form of a debate on a topic that the student analyze in the seminar work. Reflection abilities are evaluated.

Note