Training for the stage project (movement, singing, voice, music) 3
Name of lecturer(s)
Olga ČEŠKOVÁ, Eva MÁLKOVÁ, Branislav MAZÚCH, Markéta RICHTEROVÁ, Dora SULŽENKO HOŠTOVÁ, Vratislav ŠRÁMEK
Learning outcomes of the course unit
1.Grasp the importance of movement for acting.
2.Learn to perceive, respect and react to other persons in stage space.
3.Development of acting creativity.
Mode of study
Prerequisites and co-requisites
Ability to analyze and synthesize.
Ability to visualize.
Musical and spatial feeling.
2.Motion as a means of expression.
4.Basics of improvization.
5.From and content of the movement whole.
Division of space by movement, movement and sound, movement and word, movement and song, finding the means of expression for various characteristics and conditions of people, movement etudes involving relationships and situations, form of the body, its movement, contacts, holds, movement in pairs, trios and groups. Developing one's own ideas into movement etudes and their analysis.
Recommended or required reading
J. Kröschlová: Jevištní pohyb
E. Barba, N. Savarese: Slovník divadelní antropologie
R. Cohan: A guide to the Fundamentals of Movement
L. Steinman: Elements of Contemporary performance and dance
Kyliánova nadace: Video recordings of performances by leading artists who combine acting wtih movement or dance
Assessment methods and criteria
Credit is awarded: 60% for participation in exercises (minimum 70% attendance) and 40% for the final summary work.
Schedule for winter semester 2019/2020:
(Karlova 26, Praha 1)
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Karlova 26, Praha 1
Schedule for summer semester 2019/2020:
The schedule has not yet been prepared
The subject is a part of the following study plans
- Dramaturgy for Alternative and Puppet Theatre (M.A.) (optional subject)
- Acting for Alternative and Puppet Theatre (M.A.) (required subject)
- Directing for Alternative and Puppet Theatre (M.A.) (optional subject)
- Stage Design for Alternative and Puppet Theatre (M.A.) (optional subject)