Feature Screenwriting 3
Code | Completion | Credits | Range | Language Instruction | Semester |
---|---|---|---|---|---|
311FESC3 | credit | 2 | 3 hours (45 min) of instruction per week, 23 to 33 hours of self-study | English | winter |
Subject guarantor
Name of lecturer(s)
Department
The subject provides FAMU International
Contents
Students progressively work on the theme and concept chosen and started in the previous parts of the course. Students will progressively write a First Draft of their script and present the development of their work in the class.
All students will also be expected to actively participate in the critical and constructive analysis of the work of their peers.
Learning outcomes
By the end of the course students will:
- Understand writing scenes as a little drama of its own and economy of screenwriting.
- Learn how to establish a concept of their future script and write its First Draft.
Prerequisites and other requirements
-
Literature
ARISTOTLE. Poetics. 1st ed. Ann Arbor, MI: University of Michigan Press, 1967. 124 s.
HOWARD, David, MABLEY, Edward. The tools of screenwriting : a writer's guide to the craft and elements of a screenplay. New York: St. Martin Griffin, 1993. 298 s. ISBN 0-31211908-9.
GOLDMAN, William. Adventures in the screen trade: a personal view of Hollywood. Reprinted. London: Abacus, 2003. 418 s. ISBN 0 349 10705 X.
MCKEE, Robert. Story: substance, structure, style, and the principles of screenwriting. London: Methuen, 1999. xi, 466 s. ISBN 978-0-413-71560-9.
VOGLER, Christopher. The writer's journey: mythic structure for storytellers and screenwriters. 2nd ed. Studio City: Michael Wiese Production, c1998. xxiii, 326 s. ISBN 0-941188-70-1.
SEGER, Linda. Making a good script great. 3rd ed. Beverly Hills: Silman-James Press, 2010. xix, 252 s. ISBN 978-1-935247-01-2.
FLEISCHER, Jan. Of scripts and life: MFI, 2010. 278 s.
Evaluation methods and criteria
The minimum required attendance in the class in + 70 %.
The assessment is based on the student’s contribution and efforts to the class and their submitted First Draft.
The assessment will be calculated as follows:
- Attendance of the classes – 20 %
- Participation in class – 30 %
- Deliverance of the very First Draft of their Feature-length project (60 + pages) – 50 %
Note
-
Schedule for winter semester 2024/2025:
06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
|
|
---|---|
Mon |
|
Tue |
|
Wed |
|
Thu |
|
Fri |
|
Date | Day | Time | Tutor | Location | Notes | No. of paralel |
---|---|---|---|---|---|---|
Thu | 09:50–12:15 | Jan FLEISCHER | Room No. 6 Lažanský palác |
lecture parallel3 |
Schedule for summer semester 2024/2025:
The schedule has not yet been prepared
The subject is a part of the following study plans
- Cinema and Digital Media - Directing (Required subjects with the possibility of repeat registration)