doc. Vratislav ŠRÁMEK
Courses
- Acting 1 (Course guarantor)
- Acting 2 (Course guarantor)
- Acting 3 (Course guarantor)
- Acting 4 (Course guarantor)
- Music Activity (Chorus, Orchestra) 1 (Course guarantor)
- Music Activity (Chorus, Orchestra) 2 (Course guarantor)
- Music Activity (Chorus, Orchestra) 3 (Course guarantor)
- Music Activity (Chorus, Orchestra) 4 (Course guarantor)
- Music Activity (Chorus, Orchestra) 5 (Course guarantor)
- Music Activity (Chorus, Orchestra) 6 (Course guarantor)
- Music Improvisation 1 (Course guarantor)
- Music Improvisation 2 (Course guarantor)
- Music Studies 1 (Course guarantor)
- Music Studies 1 (Course guarantor)
- Music Studies 2 (Course guarantor)
- Music Studies 2 (Course guarantor)
- Music Studies 3 (Course guarantor)
- Music Studies 4 (Course guarantor)
- Search for Style 1 (Course guarantor)
- Search for Style 2 (Course guarantor)
- Search for Style 3 (Course guarantor)
- Search for Style 4 (Course guarantor)
- Seminar of Music 1 (Course guarantor)
- Seminar of Music 2 (Course guarantor)
- Seminar of Music 3 (Course guarantor)
- Seminar of Music 4 (Course guarantor)
- Sound Design 1
- Stage Music Seminar 1 (Course guarantor)
- Stage Music Seminar 2 (Course guarantor)
- Studio Practice 1 (Course guarantor)
- Studio Practice 2 (Course guarantor)
- Training for the stage project (movement, singing, voice, music) 1 (Course guarantor)
- Training for the stage project (movement, singing, voice, music) 3 (Course guarantor)
- Work on Performance 1 (Course guarantor)
- Work on Performance 2 (Course guarantor)
- Work on Performance 3 (Course guarantor)
- Work on Performance 4 (Course guarantor)
- Work on Performance Practice 1 (Course guarantor)
- Work on Performance Practice 2 (Course guarantor)
- Work on Performance Practice 3 (Course guarantor)
- Work on Performance Practice 4 (Course guarantor)
Diploma thesis led and defended successfully
- Solce Matija – Inscenace loutkového divadla jako hudební kompozice na příkladu inscenace Malé noční příběhy
- BcA. Jacques Sebastian – Zvukový materiál a jeho význam pro vývoj inscenací během mého studia na KALD