Dialogical Acting with the Inner Partner 5
| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 202DVP5 | credit | 3 | 2 hours (45 min) of instruction per week, 57 to 72 hours of self-study | English, Czech | winter |
Subject guarantor
Name of lecturer(s)
Michal ČUNDERLE, Tereza DURDILOVÁ, Filip KARDA, Boleslav KEPRT, Hana MALANÍKOVÁ, Martina MUSILOVÁ, Jan PUC, Eva SLAVÍKOVÁ, Pavel ZAJÍČEK, Václav ZIMMERMANN
Contents
A mental-physical discipline created by Prof. Ivan Vyskočil. The foundation is experience and trials in behaviour (speaking, acting) with oneself (with and internal partner), in principle, alone - self-dialogue. To learn authentic, spontaneous, acting and interplay behaviour (behaviour and experience) and produce publically in situations of „public aloneness“ (Stanislavsky), with the presence and attention of „the audience“. In situations when - that is if - friends, observers are not there and the exclusion of visual and tactile contact.
Learning outcomes
Dialogical Acting with the Inner Partner is a physical-mental discipline whose creator is Prof. Ivan Vyskočil.
Largely this can be:
- a path to self-discovery, self-acquaintance, self-acceptance and self-actualization,
- creation of the physical-mental condition for creative commuications „conductive“ empathy,
- experience, recognition and study of drama acting principles,
- experience, recognition and study of non-subject acting,
- a path to understanding, „embodiment“ and realization of defined challenges, questions, defined tasks, texts,
- method of trying, searching, perceiving, being attentive and finding.
Prerequisites and other requirements
Creativity, analysis and crictical skills.
Literature
Buber, Martin: Já a ty. 1. vydání. Olomouc: Votobia, 1995.
Fink, Eugen: Oáza štěstí. 1. vydání. Praha: Mladá fronta, 1992.
Vyskočil, Ivan a kol: Dialogické jednání s vnitřním partnerem. 1. vydání. Brno: JAMU, 2004; 2. vydání. Praha: Brkola, 2012. (Here you will also find other recommended literature.)
Collections of KATaP and Ústav pro výzkum a studium autorského herectví:
Dialogické jednání jako otevřená otázka. Praha: AMU, 1997.
Psychosomatický základ veřejného vystupování. Praha: AMU, 2000.
Hic sunt leones (o autorském herectví). Praha: Ústav pro výzkum a studium autorského herectví DAMU, 2003.
Herecká propedeutika proč, pro koho a jak? Praha: Ústav pro výzkum a studium autorského herectví DAMU, 2006.
Hlas, mluva, řeč / Řeč, mluva, hlas. Praha: Ústav pro výzkum a studium autorského herectví DAMU,
Psychosomatika & Pohyb. Praha: Ústav pro výzkum a studium autorského herectví DAMU 2008.
Osobnostní herectví – učitelství. Praha: AMU, DAMU, Ústav pro výzkum a studium autorského herectví, 2010.
Autor – autorství. Praha: NAMU, 2010.
Evaluation methods and criteria
Credit is awarded primarily based on one's experience in the classes of dialogue negotiations. A condition for successfull completion of the course is two written reviews per semester. As well, an acquaintance with the recommended literature is required.
Note
This course may be either in Czech or English.
Schedule for winter semester 2024/2025:
The schedule has not yet been prepared
Schedule for summer semester 2024/2025:
The schedule has not yet been prepared
The subject is a part of the following study plans
- Authorial Acting (B.A.) (Required main subjects)
- Authorial Acting (B.A.) (Required main subjects)