Drawing and Painting 3
| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 203KMLA3 | exam | 3 | 4 hours (45 min) of instruction per week, 39 to 54 hours of self-study | English | winter |
Subject guarantor
Name of lecturer(s)
Department
The subject provides Department of Stage Design
Contents
This course develops the artistic possibilities of visualizing scenographic work and the individual aptitude of the student.
In particular, emphasis is placed on the teaching of drawing and painting of space, still life, and figure. The student is encouraged to express himself or herself artistically based on classical art forms. Figure drawing/painting in complex art/space composition. Fundamentals of illustration and expression of literary/art genre through art form in a broader cultural context. Interpretation of stimulus through artistic means - the syllabus is always related to the current requirements of the teacher of the main course Scenography.
Techniques of drawing and painting scenographic design.
Learning outcomes
The course develops the artistic possibilities of visualizing scenographic work and the student's abilities.
Prerequisites and other requirements
The ability to creatively solve assigned tasks in the intentions of the study goal.
Literature
Study material includes encyclopedias of fine art and monographs of Czech and international painters.
CASSAN, Adolfo (ed.). Anatomy of Man. Translation by Kateřina Orlová. Havlíčkův Brod: Fragment, 2005. ISBN 978-80-253-0080-3.
ČERNÁ, Marie. History of Fine Arts. Prague: Idea servis, 2012. ISBN 978-80-85970-74-6.
DVOŘÁK, František. Oskar Kokoschka: (1886-1980). Prague: Regulus, 2011. ISBN 978-80-86279-38-1.
SPIELMANN, Heinz. Oskar Kokoschka: Leben und Werk. Köln: DuMont, 2003. ISBN 3-8321-7320-X.
SOURIAU, Étienne. Encyclopedia of Aesthetics. Translation by Zdeněk Hrbata. Collaboration with Helena Lorenzová. Prague: Victoria Publishing, 1994. ISBN 80-85605-18-X.
VÁVRA, Jiří. From Impressionism to Postmodernism: History of Visual Art. Olomouc: Olomouc Publishing House, 2001. ISBN 80-7182-120-9.
Monographs dedicated to these artists: Braque, Bacon, Chagall, Goya, Kremlička, Picasso, Rubens, Schiele, other monographs and other visual materials in relation to the individual study plan.
Designer Drafting for Entertainment World, Patricia Woodbridge, Focal Press 2000, USA +UK second edition
Designer Drafting and Visualizing for the Entertainment World, Patricia Woodbridge, Hal Tine,Focal Press 2000, USA + UK
Drawing the Line, Technical Hand Drafting for Film and Television, David McHenry,
Routledge, New York and London 2018, USA + UK
Drawing for Interior Designers, Gilles Ronin, Bloomsbury Publishing Plc 2010, London, UK
Perspective for Interior Designers, John Pile, Whitney Library of Design, New York 1989, USA
Evaluation methods and criteria
Evaluation and recognition of the quality of drawings and paintings produced during the semester , 75% participation in class,. Completion of semester assignment (12 drawings/paintings DIN A 1).
Schedule for winter semester 2024/2025:
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06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
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| Date | Day | Time | Tutor | Location | Notes | No. of paralel |
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| Wed | 15:00–19:00 | Miroslav JIŘELE | Atelier - malírna Karlova 26, Praha 1 |
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Schedule for summer semester 2024/2025:
The schedule has not yet been prepared
The subject is a part of the following study plans
- Scenography - Theatrical Scenography in EN (M. A.) (Required subjects)
- Scenography - Production Design in EN (M.A.) (Required subjects)