Cinematography Guests
Subject is not scheduled Not scheduled
Code | Completion | Credits | Range | Language Instruction | Semester |
---|---|---|---|---|---|
304MCG | credit | 1 | 2 hours (45 min) of instruction per semester, 24 to 29 hours of self-study | English | summer |
Subject guarantor
Name of lecturer(s)
Department
Předmět zajišťuje Department of Cinematography
Contents
In a series of seminars the students will get acquainted with history of documentary film. Screening the excerpts of the films that marked the development both in the content and the style of documentary film. These films will be analyzed in class with regard to the role of a camera person and their choice of tools .
The students will become conscious of what these tools are , how did they change in the course of documentary film history and how to use them and how they can offer them to director in close cooperation on a film.
Discussion and analysis of films which were the milestones of documentary cinema development.
Analysis of the students’ films from Documentary Film department
Topics from the parallel seminar Film Language Essentials applied on documentary film.
Working with light in documentary film.
Documentary camera techniques and specifics.
„From Bolex to GoPro” explaining the importance of choosing the right tools
for the given project, discussing the latest developments in camera technology for documentary film.
Discussion with international guests during on line seminars.
Documentary cinema and large format/large screen presentation (Imex, Immersive Cinema)
Learning outcomes
Through the series of seminars the students will learn how broad and organically changing is the field of documentary film,
how the styles cross and overlap.
Realizing the many channels of distribution from the traditional movie theatre and festival presentation , classic TV broadcast to social media and digital distribution.
Prerequisites and other requirements
Students will apply their skills and technical knowledge from other courses and seminars
in CINKK program.
Literature
American Cinematographer Manual
Patricia Aufderheide Documentary Film (A very short Introduction).
Introduction to Documentary, Third Edition
Bill Nichols
Evaluation methods and criteria
Minimum 85% seminar attendence
Active participation in dialogue with the guests
Timely assignment submission
Note
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Further information
Course may be repeated
No schedule has been prepared for this course
The subject is a part of the following study plans
- Scriptwriting and Dramaturgy - Bc (Elective subjects)
- Scriptwriting and Dramaturgy - Master (Elective subjects)
- Film Directing_Bachelor_2021 (Elective subjects)
- Film Directing - Master (Elective subjects)
- Documentary Film - Bachelor_2020 (Elective subjects)
- Documentary Film - Master_2022 (Elective subjects)
- Cinematography_3_2021 (Elective subjects)
- Cinematography Bachelor_2021 (Elective subjects)
- Cinematography - Master_2021 (Elective subjects)
- Produkce - Bakalářské studium - 2023 (Elective subjects)
- Production - Master (Elective subjects)
- Montage_2020 (Elective subjects)
- Editing - Bachelor_2021 (Elective subjects)
- Editing - Master_2021 (Elective subjects)
- Photography CZ - bachelor_2022 (Elective subjects)
- Photography CZ - Master_2021 (Elective subjects)
- Photography EN - Bachelor - 2022 (Elective subjects)
- Photography EN - Master - 2022 (Elective subjects)
- Sound Design - Bachelor_2020 (Elective subjects)
- Sound Design - Master_2021 (Elective subjects)
- Animation - Bachelor_2020 (Elective subjects)
- Animation - Master_2021 (Elective subjects)
- Cinema and Digital Media - Directing (Elective subjects)
- Game Design - Master (Elective subjects)
- Audiovisual Studies - Bachelor_2020 (Elective subjects)
- Audiovisual Studies - master_2021 (Elective subjects)
- Audiovisual Studies - Master 2024 (Elective subjects)
- Research and Theory of Audiovision 2021 (Elective subjects)
- Research and Theory of Audiovision 2023 (Elective subjects)