How today’s professional film set works and how
Subject is not scheduled Not scheduled
| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 308MPFSZ | credit | 1 | 4 hours (45 min) of instruction per semester, 22 to 27 hours of self-study | English | summer |
Subject guarantor
Name of lecturer(s)
Department
The subject provides Department of Sound Design
Contents
• Professional film set is a unique environment, which can seem complicated at first
glance and for someone be even stressful. The truth is that a professional film set
is, in most cases, an organism with set of exact rules and clearly defined
relationships between individual departments. But there are only limited resources
on how to learn these rules. What is the mission of Production Sound team on set
and how to navigate in a film set from a Production Sound perspective?
• We will discuss general workflow of shooting fiction narrative films, pre-production,
location scouting, show preparation, we will deep dive into sound team as swell as
other departments responsibilities, we will go through typical shooting day, describe
call sheets and other important documents connected to our work, we will talk about
professional equipment, technical workflow, interconnectivity, advanced RF systems
and professional terminology.
• Since our position on set is 50% sound skills and 50% diplomacy, we will talk not
only about technical aspects, but also about communication, physical and mental
health, emotional communication, interning, mentoring and how to build a career as
a member of production sound team.
Learning outcomes
• Students will get practical guide on how to operate on modern sets as well as get
broader understanding of professional shooting principles, which are universal to
any budget shooting. Also, hopefully, this module should help to soften the students
first experience with professional sets, which in some cases, without enough
knowledge, can be harsh.
Prerequisites and other requirements
interest in the topic
Literature
-
Evaluation methods and criteria
• Attendance and pro-activeness in dialogue
Note
lecturer MgA. Pavel Jan is a graduate of KZT FAMU
Further information
No schedule has been prepared for this course
The subject is a part of the following study plans
- Scriptwriting and Dramaturgy - Bc (Elective subjects)
- Scriptwriting and Dramaturgy - Master (Elective subjects)
- Film Directing_Bachelor_2021 (Elective subjects)
- Film Directing - Master (Elective subjects)
- Documentary Film - Bachelor_2020 (Elective subjects)
- Documentary Film - Master_2022 (Elective subjects)
- Cinematography Bachelor_2021 (Elective subjects)
- Cinematography - Master_2021 (Elective subjects)
- Produkce - Bakalářské studium - 2023 (Elective subjects)
- Production - Master (Elective subjects)
- Editing - Bachelor_2021 (Elective subjects)
- Editing - Bachelor_2021 (Elective subjects)
- Editing - Master_2021 (Elective subjects)
- Photography CZ - bachelor_2022 (Elective subjects)
- Photography CZ - Master_2021 (Elective subjects)
- Photography CZ - Master_2021 (Elective subjects)
- Sound Design - Bachelor_2020 (Elective subjects)
- Sound Design - Master_2021 (Elective subjects)
- Animation - Bachelor_2020 (Elective subjects)
- Animation - Master_2021 (Elective subjects)
- Game Design - Master (Elective subjects)
- Game Design - Master_2025 (Elective subjects)
- Audiovisual Studies - Bachelor_2020 (Elective subjects)
- Audiovisual Studies - master_2021 (Elective subjects)
- Audiovisual Studies - Master 2024 (Elective subjects)
- Research and Theory of Audiovision 2021 (Elective subjects)
- Research and Theory of Audiovision 2023 (Elective subjects)
- Research and Theory of Audiovision 2025 (Elective subjects)