The History of Film Space

Subject is not scheduled Not scheduled

Code Completion Credits Range Language Instruction Semester
311HFS exam 3 20 hours (45 min) of instruction per semester, 60 to 75 hours of self-study English summer

Subject guarantor

Name of lecturer(s)

Department

The subject provides FAMU International

Contents

One of the most important aims of Film is to frame the Space on the flat screen. Film history as seen from the point of view of both audience and filmmakers will be our hand in this pursuit. Ranging from Soviet montage school to Andre Basin and French New Wave, from D. W. Griffith to TV era we will analyze what influence narration has on film space or the other way round, how space is connected with narrative elements. In this regard, we will discuss the following aspects: how space expands the Film, what kind of space exists in the cinema, and how space appears in the Film until the moment when it disappears.

Learning outcomes

Our ambition is to come to comprehension of film space as it is present in Western film tradition.

Prerequisites and other requirements

No

Literature

Marilyn Fabe „Closely Watched Films“, University of California Press, 2004

Gilles Deleuze „?Cinema 1: The Movement-Image“, Trans. Hugh Tomlinson and Barbara Habberjam. Minneapolis: University of Minnesota Press, 1986

Gilles Deleuze „Cinema 2: The Time-Image“, Trans. Hugh Tomlinson and Barbara Habberjam. Minneapolis: University of Minnesota Press, 1989

Eds. Thomas Elsaesser, Adam Barker „Early cinema: space, frame, narrative“, British Film Institute, 1990

Jean-Pierre Oudart: „The Reality Effect“ and „Notes for a Theory of Representation“ in The Politics of Representation: Cahiers du Cinema: 1969-1972, Harvard University Press, 1989; p. 189

Mikhail Yampolsky „Transparency Painting: From Myth to Theater,“ in: Tekstura: Russian Essays on Visual Culture, Alla Efimova and Lev Manovich, eds., Chicago, University of Chicago Press, 1993; p. 139

Evaluation methods and criteria

You will be evaluated on your contribution and efforts to the class. The examinations include essay, brief presentation based on essay topic and discussion.

Attendance of the classes - 30%

Participation in discussion - 10%

Essay - 30%

Final Exam - 30%

Note

Instructor: Georgy Bagdasarov

E-mail: lapskojs@gmail.com

Further information

No schedule has been prepared for this course

The subject is a part of the following study plans