Picture and its context 1
Code | Completion | Credits | Range | Language Instruction | Semester |
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307EPC1 | credit | 2 | English | winter |
Subject guarantor
Name of lecturer(s)
Department
The subject provides Department of Photography
Contents
A year-long course consisting from introductions + curated film or image projections + profound analyses and discussions – PICTURE AND ITS CONTEXT has set an aim to bring students whose work is based in any form of visuality an understanding of how a well-chosen image or (set of images creating a situation) can be enriched with a more than depicted - literal meaning, if it exists in a context with other images or situations, that (in succession, juxtaposition..etc) exists in spectators collective or personal memory. With a help of curated film projections of films that are heavy on visual narration and their message dwells „out of frame“, i will attempt to inspire students to rely on their imagination and free themselves of textual obsession, replacing it with powerful metaphors, symbolism, and visual representation of their story to tell.
Learning outcomes
Throughout the year-long course, students will have an opportunity to be confronted and eventually analyze the power of images, which span from historic images, paintings, and video-art, to memes, advertisements, and feature film making. Students will also be shown some of the most unique films in the history of cinema, which are rich and heavy on visual narration, and its excellence is deeply rooted in a picture rather than a script or spoken word. Students who will choose to attend this course will be confronted with the challenges of visual narration in many forms. Through exercising their imagination, and a deep analysis of well-curated film screenings, students will have an opportunity to understand the power of visual information that almost always exists in a broader context - formal, conceptual, social, political or individual. Understanding and possibly changing that context can bring a playful way how to understand the importance of the psychological and contextual power of the image itself. Understanding the context in which visual information is presented offers almost endless possibilities for the auteur to deliver his/her story in his/her unique way.
The course has the ambition to inspire students to experiment and lose fear from an ambiguity coming from the visual narration, and enhance student´s imagination, whilst freeing them from an obsession with literary-based ideas. Picture and its Context is a weekly exercise in student's imagination and instead of burdening students with an academic approach, offers a playful and experiential way of learning of the use of images.
Prerequisites and other requirements
Students applying for this course should be naturally curious personality, should not fetishize originality, should be able to see things in layered nuances, and had an open-minded attitude toward the creative process where no idea or picture stands singularly alone, but rather in a complex context of the intertwined universe of meanings. They should be willing to listen and articulate their feelings and understandings and be ready to be challenged in order to widen their limits of imagination.
Literature
from Plato to Wittgenstein and Barthes
from caves of Altamira to Tintoretoo and David Lynch
from maps of the night sky and labyrinths, to tarot cards
Evaluation methods and criteria
Students will need to attend screenings regularly and actively engage in conversations and dialogues that will be vital for the course. At the end of each semester, students will be asked to come up with a visual representation of the chosen theme. Form of the final result will be not set and students will be encouraged to experiment and deliver an out-of-the-box final result that will be aligned with student's personal interests and will showcase the power of their imagination and broader understanding of possibilities of visual narration.
Note
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Further information
Course may be repeated
This course is an elective for all students of this school
Schedule for winter semester 2024/2025:
06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
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Date | Day | Time | Tutor | Location | Notes | No. of paralel |
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Thu | 09:50–12:15 | Ladislav BABUŠČÁK | Projection Room Lažanský palác |
lecture parallel1 |
Schedule for summer semester 2024/2025:
The schedule has not yet been prepared
The subject is a part of the following study plans
- Scriptwriting and Dramaturgy - Bc (Elective subjects)
- Scriptwriting and Dramaturgy - Master (Elective subjects)
- Film Directing_Bachelor_2021 (Elective subjects)
- Film Directing - Master (Elective subjects)
- Documentary Film - Bachelor_2020 (Elective subjects)
- Documentary Film - Master_2022 (Elective subjects)
- Cinematography Bachelor_2021 (Elective subjects)
- Cinematography - Master_2021 (Elective subjects)
- Produkce - Bakalářské studium - 2023 (Elective subjects)
- Production - Master (Elective subjects)
- Montage_2020 (Elective subjects)
- Editing - Bachelor_2021 (Elective subjects)
- Editing - Master_2021 (Elective subjects)
- Photography CZ - bachelor_2022 (Elective subjects)
- Photography CZ - Master_2021 (Elective subjects)
- Photography EN - Bachelor - 2022 (Elective subjects)
- Photography EN - Master - 2022 (Elective subjects)
- Conservation and restoration of photography – bachelor 2023 (Elective subjects)
- Sound Design - Bachelor_2020 (Elective subjects)
- Sound Design - Master_2021 (Elective subjects)
- Animation - Bachelor_2020 (Elective subjects)
- Animation - Master_2021 (Elective subjects)
- Cinema and Digital Media - Directing (Elective subjects)
- Game Design - Master (Elective subjects)
- Audiovisual Studies - Bachelor_2020 (Elective subjects)
- Audiovisual Studies - master_2021 (Elective subjects)
- Audiovisual Studies - Master 2024 (Elective subjects)
- Research and Theory of Audiovision 2021 (Elective subjects)
- Research and Theory of Audiovision 2023 (Elective subjects)