prof. Mgr. Jan HANČIL
Teacher's web page
Courses
- Acting In Creative Project 1 (Course guarantor)
- Acting In Creative Project 1 (Course guarantor)
- Acting In Creative Project 1 (Course guarantor)
- Acting In Creative Project 2 (Course guarantor)
- Acting In Creative Project 2 (Course guarantor)
- Acting In Creative Project 2 (Course guarantor)
- Artistic Practice 1
- Artistic Practice 2
- Authorial Acting 1 (Course guarantor)
- Authorial Acting 1 (Course guarantor)
- Authorial Acting 1 (Course guarantor)
- Authorial Acting 1 (Course guarantor)
- Authorial Acting 1 (Course guarantor)
- Authorial Acting 1 (Course guarantor)
- Authorial Acting 1 (Course guarantor)
- Authorial Acting 2 (Course guarantor)
- Authorial Acting 2 (Course guarantor)
- Authorial Acting 2 (Course guarantor)
- Authorial Acting 2 (Course guarantor)
- Authorial Acting 2 (Course guarantor)
- Authorial Acting 2 (Course guarantor)
- Authorial Acting 2 (Course guarantor)
- Authorship and Psychosomatics 1 (Course guarantor)
- Authorship and Psychosomatics 2
- Authorship and Psychosomatics 3
- Contexts of Authorial Acting II: Theory of Psychosomatic Disciplines
- Contexts of Authorial Acting II: Theory of Psychosomatic Disciplines
- Dissertation research 1 (Course guarantor)
- Dissertation Research 2
- Dissertation research 3
- Dissertation research 4 (Course guarantor)
- Doctoral Seminar 1 (Course guarantor)
- Doctoral Seminar 2
- Doctoral Seminar 3 (Course guarantor)
- Doctoral Seminar 3 (Course guarantor)
- Doctoral Student Symposium 4
- Doctoral Symposium 2
- Doctoral Symposium 3
- Dramaturgy 3 (Course guarantor)
- Dramaturgy 4 (Course guarantor)
- Dramaturgy as Authorial Thinking
- Introduction to Research Methodology
- Pedagogical Practice 1
- Symposium of PhD students 1
- Traineeship Abroad
- Work on Stage 1
- Work on Stage 1
- Work on Stage 2
- Work on Stage 2
Diploma thesis led and defended successfully
- Julínková Lucie – Tréma a strach při vystupování na veřejnosti aneb "Strachu, tvoř!"
- Křesadlová Václava Ph.D. – Autorské herectví a jeho proměny v rámci terapie závislých
- Urválková Tamara – Hledání spontaneity
- BcA. Besta Petr – Být hercem i hráčem
- BcA. Večeřa Jan – Honzíkova cesta aneb postřehy hereckého učně
- MgA. Čechová Eva Ph.D. – Lekce (ne)herectví
- BcA. Bábek Oskar – Režie jako autorská tvorba
- MgA. Kebrtová Helena – Experience Grand-Guignol: popis projektu z hlediska dramaturga
- MgA. Večeřa Jan – Přemýšlení v/o divadle
- MgA. Šupová Barbora – Cesta k autorskému vyjádření v sociálně-divadelním projektu
- MgA. Kozak Marianna – Výchova k herectví jako proces objevování a obnovování
- MgA. Langer Adam – Milovat obtíže
- BcA. Lebedzeva Margaryta – Prožitek absurdity v dramatech Eugèna Ionesca
- MgA. Vacovská Lucie – Tvorba participační performance: A vy si dáte?
- MgA. Taslimian Neda – Staging the Self: Narration and Performance in Authorial acting
- MgA. Hlaváčová Dana – Od románu k inscenaci: Sestra Jáchyma Topola v divadle DISK
- MgA. Jarošová Marie – Herectví animované tvorby
- MgA. Chrostková Barbora – Mé cesty k autorskému herectví
- BcA. Mašková Barbora – Od slova k obrazu: problematika jazyka ve hře, která jazyk tematizuje
- MgA. Lalos Evangelos – Directing for Devised Theatre