373M3DSLV |
3D Sound and Live Visuals for Musical Performance and Installation Art
|
English |
|
|
|
Z |
2 |
2/D |
|
300MDVR |
70 years of FAMU: Discussions - Visions - Reality
|
Czech |
Z |
2 |
6/H |
|
|
|
|
309KD1 |
Animation: Consultation Workshop 1
|
Czech |
Z |
1 |
9/S |
|
|
|
|
309KD2 |
Animation: Consultation Workshop 2
|
Czech |
|
|
|
Z |
1 |
9/S |
|
373REK |
Applying Aesthetic Categories in Film
|
Czech |
ZK |
2 |
2/T |
|
|
|
|
373ITT1 |
Art and Technology of Intermedia 1
|
Czech |
ZK |
3 |
6/T |
|
|
|
|
373ITT2 |
Art and Technology of Intermedia 2
|
Czech |
|
|
|
ZK |
3 |
6/T |
|
306MAP |
Artavazd Pelshyan - Distance montage
|
Czech |
Z |
1 |
2/D |
|
|
|
|
300ANFA |
Assistance in the National Film Archive
|
Czech |
Z |
2 |
|
Z |
2 |
|
|
300APNFA |
Assistant Practice in the National Film Archive
|
Czech |
Z |
3 |
|
Z |
3 |
|
|
301MCHN2 |
CHAOS NOIR 2 - noirish fascination with decomposition
|
Czech |
|
|
|
Z |
1 |
2/S |
|
301MCHN3 |
CHAOS NOIR 3 - noirish disorientation
|
Czech |
|
|
|
Z |
1 |
2/S |
|
304RK |
Camera Language
|
Czech |
|
|
|
Z |
2 |
2/T |
|
311CEW |
Central European Cinemas within the Context of the World Cinema
|
English |
ZK |
3 |
5/T |
ZK |
3 |
5/T |
|
306KDSS |
Chapters from the History of Film Editing
|
Czech |
|
|
|
Z |
2 |
2/T |
|
306KDSS1 |
Chapters from the History of Film Editing 1
|
Czech |
|
|
|
Z |
2 |
2/T |
|
306KDSS2 |
Chapters from the History of Film Editing 2
|
Czech |
|
|
|
Z |
2 |
2/T |
|
306KDSS3 |
Chapters from the History of Film Editing 3
|
Czech |
|
|
|
Z |
2 |
2/T |
|
306VP |
Character
|
Czech |
Z |
2 |
16/S |
|
|
|
|
311CITY |
Cinema and the City
|
English |
|
|
|
ZK |
3 |
2h/W |
|
304ECIT1 |
Cinematography Theory
|
English |
ZK |
1 |
2/T |
|
|
|
|
300MMDH |
Cinergy Master-class with Duane Hopkins
|
English |
|
|
|
Z |
1 |
10/S |
|
305MONS |
Consumer-Oriented Marketing
|
Czech |
ZK |
3 |
2/T |
|
|
|
|
305STZ1 |
Contemporary TV Genres 1
|
Czech |
Z |
1 |
24/S |
|
|
|
|
305STZ2 |
Contemporary TV Genres 2
|
Czech |
|
|
|
Z |
1 |
24/S |
|
305AP1 |
Copyright Law 1
|
Czech |
Z |
2 |
2/T |
|
|
|
|
305AP2 |
Copyright Law 2
|
Czech |
|
|
|
ZK |
3 |
20/S |
|
311CTP1 |
Cultural Topography of Prague 1
|
English |
Z |
1 |
25/S |
|
|
|
|
311CTP2 |
Cultural Topography of Prague 2
|
English |
|
|
|
Z |
1 |
25/S |
|
373VPH |
Development of Computer Plays
|
Czech |
Z |
2 |
4/T |
|
|
|
|
304REPFC |
Digital restoration of a czech film - exercise
|
Czech |
|
|
|
Z |
4 |
39/s |
|
302PR1 |
Directing Screenings 1
|
Czech |
Z |
1 |
26/S |
|
|
|
|
302PR10 |
Directing Screenings 10
|
Czech |
|
|
|
Z |
1 |
26/S |
|
302PR2 |
Directing Screenings 2
|
Czech |
|
|
|
Z |
1 |
26/S |
|
302PR3 |
Directing Screenings 3
|
Czech |
Z |
1 |
26/S |
|
|
|
|
302PR4 |
Directing Screenings 4
|
Czech |
|
|
|
Z |
1 |
26/S |
|
302PR5 |
Directing Screenings 5
|
Czech |
Z |
1 |
26/S |
|
|
|
|
302PR6 |
Directing Screenings 6
|
Czech |
|
|
|
Z |
1 |
26/S |
|
302PR7 |
Directing Screenings 7
|
Czech |
Z |
1 |
26/S |
|
|
|
|
302PR8 |
Directing Screenings 8
|
Czech |
|
|
|
Z |
1 |
26/S |
|
302PR9 |
Directing Screenings 9
|
Czech |
Z |
1 |
26/S |
|
|
|
|
302PP |
Directing: Teaching Practice
|
Czech |
Z |
5 |
20/S |
Z |
5 |
20/S |
|
305SAT1 |
Distributing Audiovisual Work 1
|
Czech |
|
|
|
Z |
2 |
2/T |
|
305SAT2 |
Distributing Audiovisual Work 2
|
Czech |
ZK |
3 |
24/S |
|
|
|
|
305SATD1 |
Distributing of Audiovisual Works and Contemporary Distribution 1
|
Czech |
ZK |
3 |
2/T |
|
|
|
|
305SATD2 |
Distributing of Audiovisual Works and Contemporary Distribution 2
|
Czech |
|
|
|
Z |
2 |
14/S |
|
301DK2 |
Documentary film 2
|
Czech |
|
|
|
Z |
2 |
70/S |
|
303KD2 |
Documentary: Consultation Workshop 2
|
Czech |
|
|
|
Z |
1 |
9/S |
|
301DAS1 |
Dramaturgical Screenplay Analysis 1
|
Czech |
Z |
2 |
26/S |
|
|
|
|
301DRAS2 |
Dramaturgical Screenplay Analysis 2
|
Czech |
|
|
|
Z |
2 |
26/S |
|
301VD |
Dramaturgy and Development for TV
|
Czech |
Z |
2 |
2/T |
|
|
|
|
305EK1 |
Economics 1 - Microeconomics
|
Czech |
|
|
|
ZK |
2 |
2/T |
|
306OS1 |
Editing Department Seminar 1
|
Czech |
Z |
1 |
26/S |
|
|
|
|
306OS2 |
Editing Department Seminar 2
|
Czech |
|
|
|
Z |
1 |
26/S |
|
306OS3 |
Editing Department Seminar 3
|
Czech |
Z |
1 |
26/S |
|
|
|
|
306OS4 |
Editing Department Seminar 4
|
Czech |
|
|
|
Z |
1 |
26/S |
|
306OS5 |
Editing Department Seminar 5
|
Czech |
Z |
1 |
26/S |
|
|
|
|
306OS6 |
Editing Department Seminar 6
|
Czech |
|
|
|
Z |
1 |
26/S |
|
306OS7 |
Editing Department Seminar 7
|
Czech |
Z |
1 |
26/S |
|
|
|
|
306OS8 |
Editing Department Seminar 8
|
Czech |
|
|
|
Z |
1 |
26/S |
|
306KD1 |
Editing: Consultation Workshop 1
|
Czech |
Z |
1 |
9/S |
|
|
|
|
306KD2 |
Editing: Consultation Workshop 2
|
Czech |
|
|
|
Z |
1 |
9/S |
|
373SVK |
Exhibition and Curatorship Seminar
|
Czech |
|
|
|
Z |
1 |
2/T |
|
301FM |
Facts, Myths, Stories
|
Czech |
|
|
|
Z |
2 |
2/T |
|
303FS |
Festival Strategy
|
Czech |
|
|
|
Z |
2 |
16/S |
|
373SFA |
Film Analysis Seminar
|
Czech |
|
|
|
ZK |
3 |
2/T |
|
308ZAF1 |
Film Genre 1
|
Czech |
ZK |
2 |
26/S |
|
|
|
|
308ZAF2 |
Film Genre 2
|
Czech |
|
|
|
ZK |
2 |
26/S |
|
304FIL1 |
Film Laboratory 1
|
Czech |
ZK |
2 |
2/T |
|
|
|
|
302FR1 |
Film Language 1
|
Czech |
Z |
1 |
2/T |
|
|
|
|
302FR2 |
Film Language 2
|
Czech |
|
|
|
Z |
1 |
2/T |
|
305FM1 |
Film Marketing 1
|
Czech |
Z |
2 |
2/T |
|
|
|
|
305FM2 |
Film Marketing 2
|
Czech |
|
|
|
Z |
2 |
2/T |
|
305FIPR1 |
Film Production 1
|
Czech |
Z |
2 |
1/T |
|
|
|
|
311FSF2 |
Film Style and Form 2
|
English |
|
|
|
ZK |
3 |
4/W |
|
304FITE |
Film Technology
|
Czech |
ZK |
2 |
2/T |
|
|
|
|
308FZ |
Film and Life
|
Czech |
Z |
1 |
14/S |
Z |
1 |
14/S |
|
373VKM1 |
Fine Arts Of 20th Century 1
|
Czech |
ZK |
2 |
2/T |
|
|
|
|
373VKM2 |
Fine Arts of 20th century 2
|
Czech |
|
|
|
ZK |
2 |
2/T |
|
373MGVV |
Generativvve workshop
|
English |
Z |
1 |
1/D |
|
|
|
|
309GMH |
Gesture and Mime
|
Czech |
|
|
|
Z |
3 |
3/D |
|
311GL1 |
Guest Lecture 1
|
English |
Z |
1 |
3/T |
|
|
|
|
311GL2 |
Guest Lecture 2
|
English |
|
|
|
Z |
1 |
3/T |
|
307PH1 |
Guest Lectures 1
|
Czech |
Z |
1 |
13/S |
|
|
|
|
307PHO0 |
Guest Lectures 10
|
Czech |
|
|
|
Z |
2 |
13/S |
|
307PH2 |
Guest Lectures 2
|
Czech |
|
|
|
Z |
1 |
13/S |
|
307PH3 |
Guest Lectures 3
|
Czech |
Z |
1 |
13/S |
|
|
|
|
307PH4 |
Guest Lectures 4
|
Czech |
|
|
|
Z |
1 |
13/S |
|
307PH5 |
Guest Lectures 5
|
Czech |
Z |
1 |
13/S |
|
|
|
|
307PHO6 |
Guest Lectures 6
|
Czech |
|
|
|
Z |
1 |
13/S |
|
307PHO8 |
Guest Lectures 8
|
Czech |
|
|
|
Z |
1 |
13/S |
|
373DVU1 |
History and Theory of Visual Arts and Architecture 1
|
Czech |
Z |
1 |
2/T |
|
|
|
|
373DVU2 |
History and Theory of Visual Arts and Architecture 2
|
Czech |
|
|
|
ZK |
3 |
2/T |
|
311HAN |
History of Animation
|
English |
ZK |
3 |
2/T |
ZK |
3 |
2/T |
|
373DFT1 |
History of Audiovisual Theory 1
|
Czech |
ZK |
3 |
2/T |
|
|
|
|
373DFT2 |
History of Audiovisual Theory 2
|
Czech |
|
|
|
ZK |
3 |
2/T |
|
308DH1 |
History of Music 1
|
Czech |
Z |
1 |
2/T |
|
|
|
|
308DH2 |
History of Music 2
|
Czech |
|
|
|
ZK |
2 |
2/T |
|
373IS1 |
Imaginary Worlds 1
|
Czech |
ZK |
2 |
2/T |
|
|
|
|
373IS2 |
Imaginary Worlds 2
|
Czech |
|
|
|
ZK |
2 |
2/T |
|
307INS3 |
Inspiration modul 3
|
English, Czech |
Z |
2 |
12/S |
|
|
|
|
307INS5 |
Inspiration modul 5
|
English, Czech |
Z |
2 |
12/S |
|
|
|
|
307INS7 |
Inspiration modul 7
|
English, Czech |
Z |
2 |
12/S |
|
|
|
|
307INS9 |
Inspiration modul 9
|
English, Czech |
Z |
2 |
12/S |
|
|
|
|
307INS10 |
Inspirativní modul 10
|
English, Czech |
Z |
2 |
13/S |
|
|
|
|
307INS2 |
Inspirativní modul 2
|
English, Czech |
Z |
2 |
13/S |
|
|
|
|
307INS4 |
Inspirativní modul 4
|
English, Czech |
Z |
2 |
13/S |
|
|
|
|
307INS6 |
Inspirativní modul 6
|
English, Czech |
Z |
2 |
13/S |
|
|
|
|
307INS8 |
Inspirativní modul 8
|
English, Czech |
Z |
2 |
13/S |
|
|
|
|
300ZS1 |
International Exchange 1
|
Czech |
Z |
1 |
|
Z |
1 |
|
|
300ZS10 |
International Exchange 10
|
Czech |
Z |
10 |
|
Z |
10 |
|
|
300ZS15 |
International Exchange 15
|
Czech |
Z |
15 |
|
Z |
15 |
|
|
300ZS2 |
International Exchange 2
|
Czech |
Z |
2 |
|
Z |
2 |
|
|
300ZS20 |
International Exchange 20
|
Czech |
Z |
20 |
|
Z |
20 |
|
|
300ZS25 |
International Exchange 25
|
Czech |
Z |
25 |
|
Z |
25 |
|
|
300ZS3 |
International Exchange 3
|
Czech |
Z |
3 |
|
Z |
3 |
|
|
300ZS30 |
International Exchange 30
|
Czech |
Z |
30 |
|
Z |
30 |
|
|
303IPD |
Investigative Methods and Documentary Film
|
Czech |
Z |
3 |
2/T |
|
|
|
|
373MJH |
James Harrar & Cinema Soloriens Dyad
|
English |
Z |
1 |
2/D |
|
|
|
|
373MLA |
Knut Aufermann - Larsen Effect
|
English |
|
|
|
Z |
2 |
2/D |
|
305PR1 |
Law 1
|
Czech |
ZK |
3 |
2/T |
|
|
|
|
305PR2 |
Law 2
|
Czech |
|
|
|
ZK |
3 |
24/S |
|
305PR4 |
Law 4
|
Czech |
ZK |
3 |
2/T |
|
|
|
|
301LF1 |
Literature in Film 1
|
Czech |
Z |
1 |
3/T |
|
|
|
|
301LF2 |
Literature in Film 2
|
Czech |
|
|
|
ZK |
2 |
3/T |
|
301LTT |
Literature: Themes and trends
|
Czech |
ZK |
2 |
2/T |
|
|
|
|
373MMIP |
Make it physical workshop
|
English |
Z |
1 |
7/H |
|
|
|
|
303VPD1 |
Means of Expression in Documentary Film 1
|
Czech |
Z |
1 |
2/T |
|
|
|
|
303VPD2 |
Means of Expression in Documentary Film 2
|
Czech |
|
|
|
ZK |
2 |
2/T |
|
305PD |
Media Management
|
Czech |
|
|
|
ZK |
3 |
24/S |
|
301MCL1 |
Modern Literature 1
|
Czech |
|
|
|
Z |
1 |
2/T |
|
301ML2 |
Modern Literature 2
|
Czech |
Z |
2 |
2/T |
|
|
|
|
306RMK1 |
Multiculturality in Cinematography 1
|
Czech |
Z |
2 |
24/S |
|
|
|
|
306RMK2 |
Multiculturality in Cinematography 2
|
Czech |
|
|
|
ZK |
2 |
24/S |
|
308HNA |
Music Theory
|
Czech |
ZK |
1 |
13/S |
|
|
|
|
373HV |
Music and Visuality: The History of Music in the Context of Perception Development
|
Czech |
|
|
|
ZK |
2 |
2/T |
|
309HVF |
Music in Film
|
Czech |
|
|
|
ZK |
2 |
2/T |
|
373NONS |
NARRA - Open Narrative Structures in Theory and Practice
|
English |
|
|
|
Z |
2 |
2/T |
|
303OS1 |
Open Seminar 1
|
Czech |
Z |
1 |
2/T |
|
|
|
|
303OS0 |
Open Seminar 10
|
Czech |
|
|
|
Z |
1 |
2/T |
|
303OS2 |
Open Seminar 2
|
Czech |
|
|
|
Z |
1 |
2/T |
|
303OS3 |
Open Seminar 3
|
Czech |
Z |
1 |
2/T |
|
|
|
|
303OS4 |
Open Seminar 4
|
Czech |
|
|
|
Z |
1 |
2/T |
|
303OS5 |
Open Seminar 5
|
Czech |
Z |
1 |
2/T |
|
|
|
|
303OS6 |
Open Seminar 6
|
Czech |
|
|
|
Z |
1 |
2/T |
|
303OS7 |
Open Seminar 7
|
Czech |
Z |
1 |
2/T |
|
|
|
|
303OS8 |
Open Seminar 8
|
Czech |
|
|
|
Z |
1 |
2/T |
|
303OS9 |
Open Seminar 9
|
Czech |
Z |
1 |
2/T |
|
|
|
|
373MOIW |
Operative Images workshop
|
English |
Z |
1 |
6/H |
|
|
|
|
373PDN2 |
Pentium - History of Audiovisualization: The History of New Media 2
|
English, Czech |
|
|
|
ZK |
2 |
4/T |
|
373PDAS1 |
Pentium - History of Audiovision: Asian Film 1
|
Czech |
ZK |
2 |
4/T |
|
|
|
|
373PDAS2 |
Pentium - History of Audiovision: Asian film 2
|
Czech |
|
|
|
ZK |
2 |
4/T |
|
373PDEF |
Pentium - History of Audiovision: Experimental film
|
Czech |
|
|
|
ZK |
2 |
4/T |
|
373PDN1 |
Pentium - History of Audiovisualization: The History of New Media 1
|
English, Czech |
ZK |
2 |
4/T |
|
|
|
|
373PDF1 |
Pentium History of Audiovision: History of Photography 1
|
Czech |
ZK |
2 |
4/T |
|
|
|
|
373PDF2 |
Pentium History of Audiovision: History of Photography 2
|
Czech |
|
|
|
ZK |
2 |
4/T |
|
373PDD1 |
Pentium History of Audiovision: The History of Documentary Film 1
|
Czech |
ZK |
2 |
4/T |
|
|
|
|
373PDD2 |
Pentium History of Audiovision: The History of Documentary Film 2
|
Czech |
|
|
|
ZK |
2 |
4/T |
|
307MFAVM |
Photography and AV Media in permanent Displays of National technical museum in Prague
|
Czech |
|
|
|
Z |
2 |
2/S |
|
304PKP |
Photoshop in Camera Work
|
Czech |
Z |
1 |
2/T |
Z |
1 |
2/T |
|
308PF1 |
Political Cinema 1
|
Czech |
ZK |
2 |
26/S |
|
|
|
|
306PD1 |
Practical Dramaturgy 1
|
Czech |
Z |
1 |
26/S |
|
|
|
|
306PD2 |
Practical Dramaturgy 2
|
Czech |
|
|
|
ZK |
2 |
26/S |
|
300PPS1 |
Practical Work for FAMU 1
|
Czech |
Z |
1 |
|
Z |
1 |
|
|
300PPS0 |
Practical Work for FAMU 10
|
Czech |
Z |
10 |
|
Z |
10 |
|
|
300PPS2 |
Practical Work for FAMU 2
|
Czech |
Z |
2 |
|
Z |
2 |
|
|
300PPS3 |
Practical Work for FAMU 3
|
Czech |
Z |
3 |
|
Z |
3 |
|
|
300PPS4 |
Practical Work for FAMU 4
|
Czech |
Z |
4 |
|
Z |
4 |
|
|
300PPS5 |
Practical Work for FAMU 5
|
Czech |
Z |
5 |
|
Z |
5 |
|
|
300PPS6 |
Practical Work for FAMU 6
|
Czech |
Z |
6 |
|
Z |
6 |
|
|
300PPS7 |
Practical Work for FAMU 7
|
Czech |
Z |
7 |
|
Z |
7 |
|
|
300PPS8 |
Practical Work for FAMU 8
|
Czech |
Z |
8 |
|
Z |
8 |
|
|
300PPS9 |
Practical Work for FAMU 9
|
Czech |
Z |
9 |
|
Z |
9 |
|
|
304AVDP |
Presentation and digitization of audiovisual archival media
|
Czech |
ZK |
2 |
3/T |
|
|
|
|
304AVDPC |
Presentation and digitization of audiovisual archival media 1 - Exercise
|
Czech |
Z |
4 |
6/S |
|
|
|
|
301PD |
Producer's Dramaturgy
|
Czech |
|
|
|
Z |
2 |
2/T |
|
305KD1 |
Producing: Consultation Workshop 1
|
Czech |
Z |
1 |
9/S |
|
|
|
|
305KD2 |
Producing: Consultation Workshop 2
|
Czech |
|
|
|
Z |
1 |
9/S |
|
305PO |
Programming and Business
|
Czech |
ZK |
3 |
2/T |
|
|
|
|
306PO3 |
Psychology and Profile of Personality 3
|
|
ZK |
2 |
|
|
|
|
|
306PO1 |
Psychology of Personality 1
|
Czech |
Z |
1 |
26/S |
|
|
|
|
306PO2 |
Psychology of Personality 2
|
Czech |
|
|
|
ZK |
2 |
26/S |
|
305PUBR1 |
Public Relations 1
|
Czech |
Z |
2 |
24/S |
|
|
|
|
306MRFP |
Reality, fiction and a recipe for truth in audiovisual production
|
English, Czech |
Z |
1 |
3/H |
|
|
|
|
373MRCFV |
Regional centres of film education (Inspiration in EU countries)
|
Czech |
Z |
1 |
1/D |
|
|
|
|
304REPK |
Restoration and access of film heritage in digital age I.
|
Czech |
|
|
|
ZK |
2 |
14/s |
|
373PD1 |
Screenings and Dialogues 1
|
Czech |
ZK |
1 |
3/T |
|
|
|
|
373PD2 |
Screenings and Dialogues 2
|
Czech |
|
|
|
ZK |
1 |
3/T |
|
373PD3 |
Screenings and Dialogues 3
|
Czech |
ZK |
1 |
3/T |
|
|
|
|
373PD4 |
Screenings and Dialogues 4
|
Czech |
|
|
|
ZK |
1 |
3/T |
|
373PD5 |
Screenings and Dialogues 5
|
Czech |
ZK |
1 |
3/T |
|
|
|
|
373PD6 |
Screenings and Dialogues 6
|
Czech |
|
|
|
ZK |
1 |
3/T |
|
301AS |
Screenplay Analysis
|
Czech |
|
|
|
Z |
2 |
2/T |
|
301KD1 |
Screenwriting - Consultation Workshop 1
|
Czech |
Z |
1 |
9/S |
|
|
|
|
301KD2 |
Screenwriting - Consultation Workshop 2
|
Czech |
|
|
|
Z |
1 |
9/S |
|
311SA1 |
Script Analysis 1
|
English |
Z |
3 |
2/T |
Z |
3 |
2/T |
|
302PM |
Search after the components of film mizanscene
|
|
|
|
|
Z |
1 |
|
|
373SPH |
Seminar on Computer Games
|
English, Czech |
|
|
|
ZK |
2 |
2/T |
|
305FTSC1 |
Set Design in Film and TV 1
|
Czech |
Z |
1 |
16/S |
|
|
|
|
305FTSC2 |
Set Design in Film and TV 2
|
Czech |
|
|
|
Z |
1 |
16/S |
|
306DZ1 |
Sound Dramaturgy 1
|
Czech |
|
|
|
Z |
1 |
2/T |
|
308ZHDA |
Sound Dramaturgy in Audiovisual Works
|
Czech |
|
|
|
ZK |
2 |
2/T |
|
373MSR |
Sound On/Radio Off
|
English, Czech |
Z |
3 |
3/D |
|
|
|
|
304VE1 |
Special Effects 1
|
Czech |
Z |
1 |
2/T |
|
|
|
|
304VIE2 |
Special Effects 2
|
Czech |
|
|
|
ZK |
1 |
2/T |
|
302SAV1 |
Stage setting in the Cinematography 1
|
Czech |
Z |
2 |
21/S |
|
|
|
|
302SAV2 |
Stage setting in the Cinematography 2
|
Czech |
|
|
|
Z |
2 |
21/S |
|
302SAV3 |
Stage setting in the Cinematography 3
|
Czech |
Z |
2 |
21/S |
|
|
|
|
302SAV4 |
Stage setting in the Cinematography 4
|
Czech |
|
|
|
Z |
2 |
21/S |
|
309SOS |
Storyboard Seminar 1
|
Czech |
ZK |
2 |
2/T |
|
|
|
|
301OSSD1 |
Study Seminar KSD 1
|
Czech |
Z |
2 |
4/T |
|
|
|
|
301OSSD0 |
Study Seminar KSD 10
|
Czech |
|
|
|
Z |
2 |
4/T |
|
301OSSD2 |
Study Seminar KSD 2
|
Czech |
|
|
|
Z |
2 |
4/T |
|
301OSSD3 |
Study Seminar KSD 3
|
Czech |
Z |
2 |
4/T |
|
|
|
|
301OSSD4 |
Study Seminar KSD 4
|
Czech |
|
|
|
Z |
2 |
4/T |
|
301OSSD5 |
Study Seminar KSD 5
|
Czech |
Z |
2 |
4/T |
|
|
|
|
301OSSD6 |
Study Seminar KSD 6
|
Czech |
|
|
|
Z |
2 |
4/T |
|
301OSSD7 |
Study Seminar KSD 7
|
Czech |
Z |
2 |
4/T |
|
|
|
|
301OSSD8 |
Study Seminar KSD 8
|
Czech |
|
|
|
Z |
2 |
4/T |
|
301OSSD9 |
Study Seminar KSD 9
|
Czech |
Z |
2 |
4/T |
|
|
|
|
305TST1 |
Television Seminar and Television Formats Trends 1
|
Czech |
ZK |
3 |
2/T |
|
|
|
|
306TETE |
Television Technic and Technology
|
Czech |
|
|
|
ZK |
2 |
2/T |
|
373UPO |
The Art of the Moving Image
|
Czech |
Z |
2 |
2/T |
|
|
|
|
308ZTEZ |
The Basics of Electroacoustic Sound Design
|
Czech |
|
|
|
Z |
1 |
2/T |
|
308ZH |
The Basics of Music
|
Czech |
ZK |
2 |
2/T |
|
|
|
|
301BG |
The Biograph
|
|
Z |
1 |
3/T |
Z |
1 |
3/T |
|
304KO |
The Camera Eye
|
Czech |
|
|
|
Z |
1 |
2/T |
|
373FOFM |
The Cinema: Detours, Fragments, Hiatuses
|
Czech |
|
|
|
ZK |
2 |
2/T |
|
300KF |
The Critical Review of FAMU Films
|
|
|
|
|
|
|
|
|
307ETI |
The Emergence of Technical Images
|
English |
ZK |
3 |
24/S |
|
|
|
|
307ZTO1 |
The Emergence of Technical Images
|
Czech |
ZK |
3 |
24/S |
|
|
|
|
306GFJ1 |
The Grammar of Film Language 1
|
Czech |
|
|
|
Z |
1 |
2/T |
|
306GFJ2 |
The Grammar of Film Language 2
|
Czech |
ZK |
2 |
2/T |
|
|
|
|
306GFJ3 |
The Grammar of Film Language 3
|
Czech |
|
|
|
Z |
1 |
26/S |
|
306GFJ4 |
The Grammar of Film Language 4
|
Czech |
ZK |
3 |
26/T |
|
|
|
|
373DCK1 |
The History of Czech Cinema 1
|
Czech |
|
|
|
ZK |
2 |
6/T |
|
373DCK2 |
The History of Czech Cinema 2
|
Czech |
ZK |
2 |
6/T |
|
|
|
|
373DCK3 |
The History of Czech Cinema 3
|
Czech |
|
|
|
ZK |
2 |
6/T |
|
373DSK1 |
The History of World Cinema 1
|
Czech |
ZK |
2 |
6/T |
|
|
|
|
373DSK2 |
The History of World Cinema 2
|
Czech |
|
|
|
ZK |
2 |
6/T |
|
373DSK3 |
The History of World Cinema 3
|
Czech |
ZK |
2 |
6/T |
|
|
|
|
301JSF |
The Language of Screenplay and the Language of Film
|
Czech |
|
|
|
Z |
1 |
2/T |
|
306SVE2 |
The Light 2
|
Czech |
|
|
|
Z |
2 |
2/T |
|
373MOM1 |
The Power of the Image, The Image of Power 1
|
Czech |
Z |
2 |
2/T |
|
|
|
|
373MOM2 |
The Power of the Image, The Image of Power 2
|
Czech |
|
|
|
ZK |
2 |
2/T |
|
305PEZ |
The Production of Virtual Entertainment
|
Czech |
Z |
2 |
2/T |
|
|
|
|
306TSS1 |
The Theory of Editing 1
|
Czech |
ZK |
2 |
3/T |
|
|
|
|
306TSS2 |
The Theory of Editing 2
|
Czech |
ZK |
2 |
2/T |
|
|
|
|
306TSS4 |
The Theory of Editing 4
|
Czech |
ZK |
3 |
2/T |
|
|
|
|
303ZSD1 |
The Variety of Documentary Film Genres 1
|
Czech |
Z |
1 |
2/T |
|
|
|
|
303ZSD2 |
The Variety of Documentary Film Genres 2
|
Czech |
|
|
|
ZK |
2 |
2/T |
|
373TD1 |
Theories of Drama 1
|
Czech |
|
|
|
ZK |
2 |
2/T |
|
373TD2 |
Theories of Drama 2
|
Czech |
ZK |
2 |
2/T |
|
|
|
|
309TANT1 |
Theory of Animation 1
|
Czech |
Z |
2 |
2/T |
|
|
|
|
309TANT2 |
Theory of Animation 2
|
Czech |
|
|
|
ZK |
3 |
2/T |
|
308TFIH1 |
Theory of Film Music 1
|
Czech |
Z |
1 |
14/S |
|
|
|
|
308TFIH2 |
Theory of Film Music 2
|
Czech |
|
|
|
ZK |
1 |
12/S |
|
307MTFO |
Theory of Photographic Image
|
|
Z |
4 |
4/T |
|
|
|
|
307TPNM |
Theory of Photography and New Media
|
English |
|
|
|
ZK |
3 |
24/S |
|
307TFNM |
Theory of Photography and New Media
|
Czech |
|
|
|
ZK |
3 |
24/S |
|
304MTE |
Tom Erisman:Masterclass and Workshop
|
English |
|
|
|
Z |
1 |
10/S |
|
373MTDW |
TouchDesigner Workshop
|
English |
Z |
2 |
2/D |
|
|
|
|
373MTK |
Transmit conference
|
English |
Z |
1 |
2/D |
|
|
|
|
300MPSA |
What for do we need professional associations in the audiovisual industry?
|
Czech |
|
|
|
Z |
1 |
1/D |
|
309DS1 |
Workshop (Screenplay) 1
|
Czech |
Z |
1 |
3/T |
|
|
|
|
309DS2 |
Workshop (Screenplay) 2
|
Czech |
|
|
|
Z |
1 |
3/T |
|
301WRP |
Workshop of Text Editing
|
Czech |
|
|
|
Z |
1 |
2/S |
|
307SJ |
Workshop on Art School
|
Czech |
Z |
3 |
26/s |
Z |
3 |
26/s |
|
301SVL1 |
World Literature 1
|
Czech |
Z |
1 |
2/T |
|
|
|
|
301SVL2 |
World Literature 2
|
Czech |
|
|
|
ZK |
2 |
2/T |
|
301SVL3 |
World Literature 3
|
Czech |
Z |
1 |
2/T |
|
|
|
|
301SVL4 |
World Literature 4
|
Czech |
|
|
|
ZK |
2 |
2/T |
|