| 311AACI1 |
American Avantgarde Cinema 1
|
English |
|
|
|
Z |
6 |
36/S |
Register |
| 311AACI2 |
American Avantgarde Cinema 2
|
English |
|
|
|
Z |
6 |
36/S |
Register |
| 309AC |
Animated Shorts
|
Czech |
|
|
|
Z |
1 |
6/S |
Register |
| 309KD1 |
Animation: Consultation Workshop 1
|
Czech |
Z |
1 |
9/S |
|
|
|
Register |
| 309KD2 |
Animation: Consultation Workshop 2
|
Czech |
|
|
|
Z |
1 |
9/S |
Register |
| 373REK |
Applying Aesthetic Categories in Film
|
Czech |
ZK |
2 |
2/T |
|
|
|
Register |
| 309MCM |
Arash T.Riahi and Cross media
|
|
|
|
|
Z |
1 |
1/D |
Register |
| 373ITT1 |
Art and Technology of Intermedia 1
|
Czech |
ZK |
3 |
6/T |
|
|
|
Register |
| 373ITT2 |
Art and Technology of Intermedia 2
|
Czech |
|
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|
ZK |
3 |
6/T |
Register |
| 311EX2 |
Arts and Culture: Excursions 2
|
English |
|
|
|
Z |
1 |
4/T |
Register |
| 300ANFA |
Assistance in the National Film Archive
|
Czech |
Z |
2 |
|
Z |
2 |
|
Register |
| 300APNFA |
Assistant Practice in the National Film Archive
|
Czech |
Z |
3 |
|
Z |
3 |
|
Register |
| 373MAVP |
Audiovisual performance
|
Czech |
|
|
|
Z |
3 |
5/D |
Register |
| 307MTER |
Baroque fortification Terezín
|
Czech |
|
|
|
Z |
2 |
3/D |
Register |
| 305ZKD |
Basic Communication Skills
|
Czech |
Z |
2 |
2/T |
|
|
|
Register |
| 309MAFT |
Basic pastproduction and 2D animation in program AE
|
Czech |
|
|
|
Z |
2 |
4/D |
Register |
| 301MBSCP2 |
Borders of Scriptwriting Pitching
|
English |
|
|
|
Z |
2 |
4/D |
Register |
| 301MBSCS1 |
Borders of Scriptwriting Symposium2
|
|
|
|
|
Z |
2 |
4/D |
Register |
| 305MOA1 |
Business English for Production 1
|
English |
Z |
2 |
1/D |
|
|
|
Register |
| 305MOA2 |
Business English for Production 2
|
English |
Z |
2 |
1/D |
|
|
|
Register |
| 311CEW |
Central European Cinemas within the Context of the World Cinema
|
English |
ZK |
3 |
5/T |
|
|
|
Register |
| 306KDSS |
Chapters from the History of Film Editing
|
Czech |
|
|
|
Z |
2 |
2/T |
Register |
| 306VP |
Character
|
Czech |
Z |
2 |
16/S |
|
|
|
Register |
| 303MKON1 |
Construction of elites in cycles of Czech TV after 1990
|
Czech |
|
|
|
Z |
2 |
6/S |
Register |
| 305MOS |
Consumer-Oriented Marketing
|
Czech |
ZK |
2 |
2/T |
|
|
|
Register |
| 305AP1 |
Copyright Law 1
|
Czech |
Z |
2 |
2/T |
|
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Register |
| 305AP2 |
Copyright Law 2
|
Czech |
|
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|
ZK |
3 |
20/S |
Register |
| 373MAPDP |
Copyright in the digital environment
|
Czech |
|
|
|
Z |
2 |
4/S |
Register |
| 306MKAE |
Creative postproduction
|
Czech |
|
|
|
Z |
1 |
6/S |
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| 373SKS2 |
Critique and Stylistics Seminar 2
|
Czech |
|
|
|
ZK |
2 |
2/T |
Register |
| 306MPFC |
Cup in Final Cup
|
Czech |
|
|
|
Z |
1 |
12/S |
Register |
| 373MDFH |
Dance films according to David Hinton
|
English |
|
|
|
Z |
5 |
8/D |
Register |
| 373VPH |
Development of Computer Plays
|
|
Z |
2 |
4/T |
|
|
|
Register |
| 304MDREF |
Digitization and restoration of film heritage I.
|
Czech |
|
|
|
Z |
1 |
1/D |
Register |
| 304DREF2 |
Digitization and restoration of film heritage II.
|
Czech |
|
|
|
Z |
2 |
1/D |
Register |
| 302PR1 |
Directing Screenings 1
|
Czech |
Z |
1 |
26/S |
|
|
|
Register |
| 302PR10 |
Directing Screenings 10
|
Czech |
|
|
|
Z |
1 |
26/S |
Register |
| 302PR2 |
Directing Screenings 2
|
Czech |
|
|
|
Z |
1 |
26/S |
Register |
| 302PR3 |
Directing Screenings 3
|
Czech |
Z |
1 |
26/S |
|
|
|
Register |
| 302PR4 |
Directing Screenings 4
|
Czech |
|
|
|
Z |
1 |
26/S |
Register |
| 302PR5 |
Directing Screenings 5
|
Czech |
Z |
1 |
26/S |
|
|
|
Register |
| 302PR6 |
Directing Screenings 6
|
Czech |
|
|
|
Z |
1 |
26/S |
Register |
| 302PR7 |
Directing Screenings 7
|
Czech |
Z |
1 |
26/S |
|
|
|
Register |
| 302PR8 |
Directing Screenings 8
|
Czech |
|
|
|
Z |
1 |
26/S |
Register |
| 302PR9 |
Directing Screenings 9
|
Czech |
Z |
1 |
26/S |
|
|
|
Register |
| 302PP |
Directing: Teaching Practice
|
Czech |
Z |
5 |
20/S |
Z |
5 |
20/S |
Register |
| 311MDOT |
Docudrama as an Option for TV and Cinema
|
English |
|
|
|
Z |
3 |
24/H |
Register |
| 303KD2 |
Documentary: Consultation Workshop 2
|
Czech |
|
|
|
Z |
1 |
9/S |
Register |
| 301DAS1 |
Dramaturgical Screenplay Analysis 1
|
Czech |
Z |
2 |
26/S |
|
|
|
Register |
| 301DAS2 |
Dramaturgical Screenplay Analysis 2
|
Czech |
|
|
|
ZK |
2 |
26/S |
Register |
| 301VD |
Dramaturgy and Development for TV
|
Czech |
Z |
2 |
2/T |
|
|
|
Register |
| 305EK1 |
Economics 1 - Microeconomics
|
Czech |
|
|
|
ZK |
2 |
2/T |
Register |
| 306OS1 |
Editing Department Seminar 1
|
Czech |
Z |
1 |
26/S |
|
|
|
Register |
| 306OS2 |
Editing Department Seminar 2
|
Czech |
|
|
|
Z |
1 |
26/S |
Register |
| 306OS3 |
Editing Department Seminar 3
|
Czech |
Z |
1 |
26/S |
|
|
|
Register |
| 306OS4 |
Editing Department Seminar 4
|
Czech |
|
|
|
Z |
1 |
26/S |
Register |
| 306OS5 |
Editing Department Seminar 5
|
Czech |
Z |
1 |
26/S |
|
|
|
Register |
| 306OS6 |
Editing Department Seminar 6
|
Czech |
|
|
|
Z |
1 |
26/S |
Register |
| 306OS7 |
Editing Department Seminar 7
|
Czech |
Z |
1 |
26/S |
|
|
|
Register |
| 306OS8 |
Editing Department Seminar 8
|
Czech |
|
|
|
Z |
1 |
26/S |
Register |
| 306KD1 |
Editing: Consultation Workshop 1
|
Czech |
Z |
1 |
9/S |
|
|
|
Register |
| 306KD2 |
Editing: Consultation Workshop 2
|
Czech |
|
|
|
Z |
1 |
9/S |
Register |
| 306MEO |
Ex Oriente Film Editing Session
|
English |
Z |
2 |
7/S |
|
|
|
Register |
| 373SVK |
Exhibition and Curatorship Seminar
|
Czech |
|
|
|
Z |
1 |
2/T |
Register |
| 373MPON |
Experimental Filmmaker Pat O'Neill
|
English |
Z |
1 |
5/S |
|
|
|
Register |
| 301FMP |
Facts, Myths, Stories
|
Czech |
|
|
|
Z |
1 |
2/T |
Register |
| 373MFEM |
Feminism in the animation
|
Czech |
|
|
|
Z |
1 |
6/S |
Register |
| 300MFDR |
Festival dramaturgy
|
Czech |
|
|
|
Z |
1 |
3/S |
Register |
| 306MPSB |
Figure in feature Film "Silver B" 1
|
|
|
|
|
Z |
4 |
4/D |
Register |
| 373SFA |
Film Analysis Seminar
|
Czech |
|
|
|
ZK |
3 |
2/T |
Register |
| 306MFEW |
Film Editing Workshop
|
English |
|
|
|
Z |
4 |
40/S |
Register |
| 311FFCS |
Film Festivals - Case Studies
|
English |
|
|
|
Z |
1 |
10S |
Register |
| 304FIL1 |
Film Laboratory 1
|
Czech |
ZK |
2 |
2/T |
|
|
|
Register |
| 302FR2 |
Film Language 2
|
Czech |
|
|
|
Z |
1 |
2/T |
Register |
| 306FH |
Film Music
|
Czech |
Z |
2 |
12/S |
|
|
|
Register |
| 311MPHE |
Film Phenomenology
|
English |
|
|
|
Z |
2 |
12/H |
Register |
| 311FSF |
Film Style and Form
|
English |
ZK |
3 |
4/T |
|
|
|
Register |
| 304FITE |
Film Technology
|
Czech |
ZK |
2 |
2/T |
|
|
|
Register |
| 373FUZ1 |
Film and Society I: Film, art, as a mirror and vision of society
|
Czech |
Z |
2 |
3/T |
|
|
|
Register |
| 373FUZ2 |
Film and Society II: Social and aesthetical life of human bodies, things, cities and landscapes
|
Czech |
|
|
|
Z |
2 |
3/T |
Register |
| 373MFJ |
Film language
|
Czech |
|
|
|
Z |
1 |
2/D |
Register |
| 373VKM1 |
Fine Arts Of 20th Century 1
|
Czech |
ZK |
2 |
2/T |
|
|
|
Register |
| 373VKM2 |
Fine Arts of 20th century 2
|
Czech |
|
|
|
ZK |
2 |
2/T |
Register |
| 373MJM |
Fleshes of the past ? cinema archives and message for the future
|
Czech |
|
|
|
Z |
1 |
3/D |
Register |
| 300SZ1 |
Foreign University Exchange 1
|
Czech |
Z |
1 |
|
Z |
1 |
|
Register |
| 300SZ10 |
Foreign University Exchange 10
|
Czech |
Z |
10 |
|
Z |
10 |
|
Register |
| 300SZ15 |
Foreign University Exchange 15
|
Czech |
Z |
15 |
|
Z |
15 |
|
Register |
| 300SZ2 |
Foreign University Exchange 2
|
Czech |
Z |
2 |
|
Z |
2 |
|
Register |
| 300SZ20 |
Foreign University Exchange 20
|
Czech |
Z |
20 |
|
Z |
20 |
|
Register |
| 300SZ25 |
Foreign University Exchange 25
|
Czech |
Z |
25 |
|
Z |
25 |
|
Register |
| 300SZ3 |
Foreign University Exchange 3
|
Czech |
Z |
3 |
|
Z |
3 |
|
Register |
| 300SZ30 |
Foreign University Exchange 30
|
Czech |
Z |
30 |
|
Z |
30 |
|
Register |
| 300SZ4 |
Foreign University Exchange 34
|
Czech |
Z |
4 |
|
Z |
4 |
|
Register |
| 300SZ5 |
Foreign University Exchange 35
|
Czech |
Z |
5 |
|
Z |
5 |
|
Register |
| 311MFOO |
Found Footage Now and Into the Future
|
English |
|
|
|
Z |
2 |
16/S |
Register |
| 300MŽOČF |
Genres and personalities of contemporary Czech cinema
|
Czech |
|
|
|
Z |
1 |
4/S |
Register |
| 305MSFF |
Getting movies really made in the Western cultural territory (USA, UK, EU)
|
|
|
|
|
Z |
1 |
3/S |
Register |
| 300MSO |
Grant OOPA - experience, projection, discussion
|
Czech |
|
|
|
Z |
1 |
8/S |
Register |
| 311GLT1 |
Guest Lecture and Social Topics 1
|
English |
Z |
1 |
3/T |
|
|
|
Register |
| 311GLT2 |
Guest Lecture and Social Topics 2
|
English |
|
|
|
Z |
1 |
3/T |
Register |
| 311MHCS |
Highlights of Contemporary Short Cinema
|
English |
Z |
1 |
|
|
|
|
Register |
| 373DVU1 |
History and Theory of Visual Arts and Architecture 1
|
Czech |
Z |
1 |
2/T |
|
|
|
Register |
| 373DVU2 |
History and Theory of Visual Arts and Architecture 2
|
Czech |
|
|
|
ZK |
3 |
2/T |
Register |
| 311HAN |
History of Animation
|
English |
ZK |
3 |
2/T |
ZK |
3 |
2/T |
Register |
| 308DH1 |
History of Music 1
|
Czech |
Z |
1 |
2/T |
|
|
|
Register |
| 308DH2 |
History of Music 2
|
Czech |
|
|
|
ZK |
2 |
2/T |
Register |
| 373IS1 |
Imaginary Worlds 1
|
Czech |
ZK |
2 |
2/T |
|
|
|
Register |
| 373IS2 |
Imaginary Worlds 2
|
Czech |
|
|
|
ZK |
2 |
2/T |
Register |
| 373MIMAG |
Imagosféra
|
Czech |
Z |
2 |
9/S |
|
|
|
Register |
| 308FSK1 |
Individual Film Styles in the Cinematic Context 1
|
Czech |
ZK |
2 |
26/S |
|
|
|
Register |
| 308FSK2 |
Individual Film Styles in the Cinematic Context 2
|
Czech |
|
|
|
ZK |
2 |
26/S |
Register |
| 307MINS1 |
Inspiration modul 1
|
|
|
|
|
Z |
3 |
12/S |
Register |
| 307MINS2 |
Inspirativní modul 2
|
|
Z |
2 |
9/S |
|
|
|
Register |
| 307MINT1 |
Instalation modul
|
|
|
|
|
Z |
2 |
2/D |
Register |
| 373IPC2 |
Interactive and Physical Computing 2
|
Czech |
|
|
|
Z |
2 |
2/T |
Register |
| 311IS |
Introduction to the Soundrack
|
English |
|
|
|
Z |
2 |
2/T |
Register |
| 303IPD |
Investigative Methods and Documentary Film
|
Czech |
Z |
3 |
2/T |
|
|
|
Register |
| 373MIFR |
Ivan Fíla: Retrospective of the work end masterclass
|
|
|
|
|
Z |
2 |
6/S |
Register |
| 302VSJN2 |
Jan Nemec's Open Seminar
|
Czech |
|
|
|
Z |
2 |
18/S |
Register |
| 302VSJN |
Jan Nemec's Open Seminar
|
Czech |
Z |
2 |
18/S |
Z |
2 |
18/S |
Register |
| 305PR1 |
Law 1
|
Czech |
ZK |
3 |
2/T |
|
|
|
Register |
| 305PR3 |
Law 3
|
Czech |
ZK |
3 |
2/T |
|
|
|
Register |
| 300MLVF |
Lebanon at FAMU
|
English |
|
|
|
|
|
|
Register |
| 307MLE |
Ležáky
|
|
|
|
|
Z |
3 |
3/D |
Register |
| 301LF1 |
Literature in Film 1
|
Czech |
Z |
1 |
3/T |
|
|
|
Register |
| 301LF2 |
Literature in Film 2
|
Czech |
|
|
|
ZK |
2 |
3/T |
Register |
| 301LTT |
Literature: Themes and trends
|
Czech |
ZK |
2 |
2/T |
|
|
|
Register |
| 307MLIT |
Litomyšl, contenporary architecture in the historical kontext
|
Czech |
Z |
1 |
1/D |
|
|
|
Register |
| 311LR |
Location Reading
|
English |
Z |
2 |
1D |
|
|
|
Register |
| 305MK2 |
Marketing Communication 2
|
Czech |
|
|
|
ZK |
3 |
24/S |
Register |
| 309HM |
Mask Performance
|
Czech |
|
|
|
Z |
3 |
3/D |
Register |
| 303VPD1 |
Means of Expression in Documentary Film 1
|
Czech |
Z |
1 |
2/T |
|
|
|
Register |
| 303VPD2 |
Means of Expression in Documentary Film 2
|
Czech |
|
|
|
ZK |
2 |
2/T |
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| 305MP |
Media Law
|
Czech |
|
|
|
ZK |
2 |
12/S |
Register |
| 373MZVV |
Meditaon of exhibitions and fine arts in film and TV
|
Czech |
|
|
|
Z |
2 |
1/D |
Register |
| 373MAN |
Michelangelo Antonioni: Introduction to the filmographie
|
Czech |
Z |
1 |
1/D |
|
|
|
Register |
| 301MCL1 |
Modern Literature 1
|
Czech |
|
|
|
Z |
1 |
2/T |
Register |
| 301MCL2 |
Modern Literature 2
|
Czech |
Z |
1 |
2/T |
|
|
|
Register |
| 301MCL3 |
Modern Literature 3
|
Czech |
|
|
|
ZK |
2 |
2/T |
Register |
| 373MMMA |
Moravia and Modern Architecture3
|
|
|
|
|
Z |
3 |
3/D |
Register |
| 309MMD |
Motion design
|
Czech |
|
|
|
Z |
1 |
6/S |
Register |
| 306RMK1 |
Multiculturality in Cinematography 1
|
Czech |
|
|
|
|
|
|
Register |
| 306RMK2 |
Multiculturality in Cinematography 2
|
Czech |
|
|
|
|
|
|
Register |
| 308HNA |
Music Theory
|
Czech |
ZK |
1 |
13/S |
|
|
|
Register |
| 373HV |
Music and Visuality: The History of Music in the Context of Perception Development
|
Czech |
|
|
|
ZK |
2 |
2/T |
Register |
| 301NBK |
Narace v blízkosti katastrofy
|
|
Z |
1 |
2/T |
|
|
|
Register |
| 306SNF1 |
Narrative Film Editing Practice 1
|
Czech |
|
|
|
Z |
4 |
36/S |
Register |
| 307NM1 |
New Media and Multimedia Work 1
|
Czech |
Z |
1 |
39/S |
|
|
|
Register |
| 307NM2 |
New Media and Multimedia Work 2
|
Czech |
|
|
|
ZK |
2 |
39/S |
Register |
| 307NM3 |
New Media and Multimedia Work 3
|
Czech |
Z |
1 |
26/S |
|
|
|
Register |
| 307NM5 |
New Media and Multimedia Work 5
|
Czech |
Z |
1 |
26/S |
|
|
|
Register |
| 373NCV |
Nové cesty vyprávění
|
Czech |
|
|
|
Z |
2 |
2/T |
Register |
| 373ONN1 |
Open Narration in Technologically Innovative Media 1
|
|
ZK |
2 |
2/T |
|
|
|
Register |
| 373ONN2 |
Open Narration in Technologically Innovative Media 2
|
|
|
|
|
ZK |
2 |
2/T |
Register |
| 373OFS1 |
Open Philosophy Seminar 1
|
Czech |
ZK |
2 |
2/T |
|
|
|
Register |
| 373OFS2 |
Open Philosophy Seminar 2
|
Czech |
|
|
|
ZK |
2 |
2/T |
Register |
| 301OTES1 |
Open Screenplay Seminar 1
|
Czech |
Z |
1 |
2/T |
|
|
|
Register |
| 303OS1 |
Open Seminar 1
|
Czech |
Z |
1 |
2/T |
|
|
|
Register |
| 303OS0 |
Open Seminar 10
|
Czech |
|
|
|
Z |
1 |
2/T |
Register |
| 303OS2 |
Open Seminar 2
|
Czech |
|
|
|
Z |
1 |
2/T |
Register |
| 303OS3 |
Open Seminar 3
|
Czech |
Z |
1 |
2/T |
|
|
|
Register |
| 303OS4 |
Open Seminar 4
|
Czech |
|
|
|
Z |
1 |
2/T |
Register |
| 303OS5 |
Open Seminar 5
|
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1 |
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| 303OS6 |
Open Seminar 6
|
Czech |
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Z |
1 |
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| 303OS7 |
Open Seminar 7
|
Czech |
Z |
1 |
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| 303OS8 |
Open Seminar 8
|
Czech |
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Z |
1 |
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| 303OS9 |
Open Seminar 9
|
Czech |
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1 |
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| 307MORT |
Orten Square
|
Czech |
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2 |
1/D |
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| 307MOSTR |
Ostrava: The Past and the Present in Architecture. Critical analysis of photos.
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3 |
3/D |
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| 373PDN2 |
Pentium - History of Audiovisualization: The History of New Media 2
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2 |
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| 373PDAFN1 |
Pentium - History of Audiovisualization: Film Noir 1
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2 |
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| 373PDAFN2 |
Pentium - History of Audiovisualization: Film Noir 2
|
Czech |
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2 |
4/T |
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| 373PDN1 |
Pentium - History of Audiovisualization: The History of New Media 1
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2 |
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| 373PDF1 |
Pentium History of Audiovision: History of Photography 1
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2 |
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| 373PDF2 |
Pentium History of Audiovision: History of Photography 2
|
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2 |
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| 373PDAF1 |
Pentium History of Audiovision: The History of Animated Film 1
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2 |
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| 373PDAF2 |
Pentium History of Audiovision: The History of Animated Film 2
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2 |
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| 302OCF |
Personalities in Czech Cinema
|
Czech |
Z |
2 |
18/S |
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| 307SO1 |
Personality Seminar 1
|
Czech |
Z |
1 |
13/S |
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| 307SO2 |
Personality Seminar 2
|
Czech |
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1 |
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| 307SO3 |
Personality Seminar 3
|
Czech |
Z |
1 |
13/S |
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| 307SO4 |
Personality Seminar 4
|
Czech |
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1 |
13/S |
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| 307SO5 |
Personality Seminar 5
|
Czech |
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1 |
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| 307SO6 |
Personality Seminar 6
|
Czech |
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2 |
13/S |
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| 307SO7 |
Personality Seminar 7
|
Czech |
Z |
1 |
13/S |
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| 307SO8 |
Personality Seminar 8
|
Czech |
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2 |
13/S |
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| 307SO9 |
Personality Seminar 9
|
Czech |
Z |
1 |
13/S |
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| 307MFOT |
Photography in collections of archives of Technical museum of Prague
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Z |
2 |
2/D |
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| 304PKP |
Photoshop in Camera Work
|
Czech |
Z |
1 |
2/T |
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1 |
2/T |
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| 304MKOB |
Picture Compression
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1 |
6/S |
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| 304MOSE |
Picture Sensors and Displays
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1 |
6/S |
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| 309MPIT |
Pitching
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5 |
5/D |
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| 301MMAP |
Place and Story
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2 |
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| 306PD1 |
Practical Dramaturgy 1
|
Czech |
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1 |
26/S |
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| 306PD2 |
Practical Dramaturgy 2
|
Czech |
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2 |
26/S |
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| 300PPS1 |
Practical Work for FAMU 1
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Czech |
Z |
1 |
|
Z |
1 |
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| 300PPS0 |
Practical Work for FAMU 10
|
Czech |
Z |
10 |
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Z |
10 |
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| 300PPS2 |
Practical Work for FAMU 2
|
Czech |
Z |
2 |
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Z |
2 |
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| 300PPS3 |
Practical Work for FAMU 3
|
Czech |
Z |
3 |
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Z |
3 |
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| 300PPS4 |
Practical Work for FAMU 4
|
Czech |
Z |
4 |
|
Z |
4 |
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| 300PPS5 |
Practical Work for FAMU 5
|
Czech |
Z |
5 |
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Z |
5 |
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| 300PPS6 |
Practical Work for FAMU 6
|
Czech |
Z |
6 |
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Z |
6 |
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| 300PPS7 |
Practical Work for FAMU 7
|
Czech |
Z |
7 |
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Z |
7 |
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| 300PPS8 |
Practical Work for FAMU 8
|
Czech |
Z |
8 |
|
Z |
8 |
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| 300PPS9 |
Practical Work for FAMU 9
|
Czech |
Z |
9 |
|
Z |
9 |
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| 311MEXP |
Pre-cinema and Roots of Experimental Cinema
|
English |
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1 |
12/H |
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| 301PD |
Producer's Dramaturgy
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Czech |
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2 |
2/T |
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| 305KD1 |
Producing: Consultation Workshop 1
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Czech |
Z |
1 |
9/S |
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| 305KD2 |
Producing: Consultation Workshop 2
|
Czech |
|
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1 |
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| 305PO |
Programming and Business
|
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ZK |
3 |
2/T |
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| 302MPKSF |
Projection of student´s short films
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Z |
1 |
1/D |
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| 305MPSF |
Promotion and distribution of feature and animated short films
|
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1 |
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| 306MPS |
Psychology
|
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1 |
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| 373MRAS |
Radio Spaces. Sounds of Europe: SoundLab Prague
|
English |
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2 |
5/D |
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| 373PD1 |
Screenings and Dialogues 1
|
Czech |
ZK |
1 |
3/T |
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| 373PD2 |
Screenings and Dialogues 2
|
Czech |
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1 |
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| 373PD3 |
Screenings and Dialogues 3
|
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ZK |
1 |
3/T |
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| 373PD4 |
Screenings and Dialogues 4
|
Czech |
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1 |
3/T |
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| 373PD5 |
Screenings and Dialogues 5
|
Czech |
ZK |
1 |
3/T |
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| 373PD6 |
Screenings and Dialogues 6
|
Czech |
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1 |
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| 301AS |
Screenplay Analysis
|
Czech |
|
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Z |
2 |
2/T |
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| 301KD1 |
Screenwriting - Consultation Workshop 1
|
Czech |
Z |
1 |
9/S |
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| 301KD2 |
Screenwriting - Consultation Workshop 2
|
Czech |
|
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Z |
1 |
9/S |
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| 311SA1 |
Script Analysis 1
|
English |
Z |
3 |
2/T |
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3 |
2/T |
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| 311SA2 |
Script Analysis 2
|
English |
|
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3 |
2/T |
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| 305MATT |
Selected aspects of the transformation of the public TV service broadcaster in the Czech Republic
|
Czech |
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1 |
6/S |
|
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| 307SO0 |
Seminar of Personalities 10
|
Czech |
|
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ZK |
2 |
13/S |
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| 373SAVA |
Seminar on Audiovisual Analysis
|
Czech |
ZK |
3 |
2/T |
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| 301SMK |
Seminar on Media Criticism
|
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ZK |
2 |
2/T |
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| 305FTSC |
Set Design in Film and TV
|
Czech |
|
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Z |
2 |
16/S |
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| 306DZ1 |
Sound Dramaturgy 1
|
Czech |
|
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Z |
1 |
2/T |
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| 306DZ2 |
Sound Dramaturgy 2
|
Czech |
ZK |
2 |
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| 308ZHDA |
Sound Dramaturgy in Audiovisual Works
|
Czech |
|
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2 |
2/T |
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| 373MZJP |
Sound as space
|
English |
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2 |
5/D |
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| 304FIT1 |
Special Effects 1
|
Czech |
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1 |
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| 307EMSP |
Spirit of Prague
|
English |
|
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|
Z |
3 |
16/S |
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| 309SST |
Storyboard Seminar 1
|
Czech |
ZK |
2 |
2/T |
|
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| 301OSSD0 |
Study Seminar KSD 10
|
Czech |
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2 |
4/T |
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| 301OSD2 |
Study Seminar KSD 2
|
Czech |
|
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Z |
1 |
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| 301OSSD3 |
Study Seminar KSD 3
|
Czech |
Z |
2 |
4/T |
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| 301OSSD4 |
Study Seminar KSD 4
|
Czech |
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Z |
2 |
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| 301OSSD5 |
Study Seminar KSD 5
|
Czech |
Z |
2 |
4/T |
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| 301OSSD6 |
Study Seminar KSD 6
|
Czech |
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Z |
2 |
4/T |
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| 301OSSD7 |
Study Seminar KSD 7
|
Czech |
Z |
2 |
4/T |
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| 301OSSD8 |
Study Seminar KSD 8
|
Czech |
|
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Z |
2 |
4/T |
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| 301OSSD9 |
Study Seminar KSD 9
|
Czech |
Z |
2 |
4/T |
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| 305TF |
Television Formats - Today and Current Trends
|
Czech |
ZK |
2 |
2/T |
|
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| 306TETE |
Television Technic and Technology
|
Czech |
|
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ZK |
2 |
2/T |
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| 308ZTEZ |
The Basics of Electroacoustic Sound Design
|
Czech |
|
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|
Z |
1 |
2/T |
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| 305ZAFP |
The Basics of Film Production
|
Czech |
Z |
2 |
1/T |
|
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| 308ZH |
The Basics of Music
|
Czech |
|
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2 |
2/T |
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| 304KO |
The Camera Eye
|
Czech |
|
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1 |
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| 311MWES |
The Cinema of Wes Anderson
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Z |
1 |
3/D |
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| 304MCKS1 |
The Czech Tradition of Camera Work by the Eyes of Miloslav Holman
|
Czech |
|
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1 |
6/S |
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| 304MCKS3 |
The Czech Tradition of Camera Work in the Egyes of Jiří Krob
|
Czech |
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1 |
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| 306GFJ1 |
The Grammar of Film Language 1
|
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1 |
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| 306GFJ2 |
The Grammar of Film Language 2
|
Czech |
ZK |
2 |
2/T |
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| 306GFJ3 |
The Grammar of Film Language 3
|
Czech |
|
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Z |
1 |
26/S |
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| 306GFJ4 |
The Grammar of Film Language 4
|
Czech |
ZK |
3 |
26/T |
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| 373DCK1 |
The History of Czech Cinema 1
|
Czech |
|
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|
ZK |
2 |
6/T |
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| 373DCK2 |
The History of Czech Cinema 2
|
Czech |
ZK |
2 |
6/T |
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| 373DCK3 |
The History of Czech Cinema 3
|
Czech |
|
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|
ZK |
2 |
6/T |
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| 373DSK1 |
The History of World Cinema 1
|
Czech |
ZK |
2 |
6/T |
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| 373DSK2 |
The History of World Cinema 2
|
Czech |
|
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ZK |
2 |
6/T |
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| 373DSK3 |
The History of World Cinema 3
|
Czech |
ZK |
2 |
6/T |
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| 306OKP1 |
The Image at Rest, The Image in Motion 1
|
Czech |
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1 |
2/T |
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| 306OKP2 |
The Image at Rest, The Image in Motion 2
|
Czech |
|
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Z |
1 |
2/T |
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| 301JSF |
The Language of Screenplay and the Language of Film
|
Czech |
|
|
|
Z |
1 |
2/T |
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| 302PROF1 |
The Merging of the Film Image and Art 1
|
Czech |
Z |
3 |
4/T |
|
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| 302PROF2 |
The Merging of the Film Image and Art 2
|
Czech |
Z |
3 |
4/T |
|
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| 373MOM1 |
The Power of the Image, The Image of Power 1
|
Czech |
Z |
2 |
2/T |
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| 373MOM2 |
The Power of the Image, The Image of Power 2
|
Czech |
|
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2 |
2/T |
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| 305PEZ |
The Production of Virtual Entertainment
|
Czech |
Z |
2 |
2/T |
|
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| 302TEF1 |
The Theory and Aesthetics of Film Direction 1
|
Czech |
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1 |
2/T |
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| 302TEF2 |
The Theory and Aesthetics of Film Direction 2
|
Czech |
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2 |
2/T |
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| 306TSS1 |
The Theory of Editing 1
|
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ZK |
2 |
3/T |
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| 303ZSD1 |
The Variety of Documentary Film Genres 1
|
Czech |
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1 |
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| 303ZSD2 |
The Variety of Documentary Film Genres 2
|
Czech |
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2 |
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| 301MMHP |
The skyscraper as the Main Character in the Story of Modernity
|
Czech |
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1 |
6/S |
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| 373TD1 |
Theories of Drama 1
|
Czech |
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2 |
2/T |
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| 373TD2 |
Theories of Drama 2
|
Czech |
ZK |
2 |
2/T |
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| 309TANT1 |
Theory of Animation 1
|
Czech |
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2 |
2/T |
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| 309TANT2 |
Theory of Animation 2
|
Czech |
|
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3 |
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| 373VF1 |
Thoughts on the Invention of Film 1
|
Czech |
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1 |
2/T |
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| 373VF2 |
Thoughts on the Invention of Film 2
|
Czech |
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2 |
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| 302CPSK2 |
Time and Space in the World Cinema
|
Czech |
|
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2 |
3/T |
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| 302CPSK |
Time and Space in the World Cinema
|
Czech |
|
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2 |
3/T |
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| 308MTRI |
Tricks and tips for attaching radiomics on actors
|
Czech |
|
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1 |
3/S |
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| 373UPO |
Umění pohyblivého obrazu
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Z |
2 |
2/T |
|
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| 307MVCL |
Wenceslav Square 2013
|
Czech |
|
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Z |
3 |
30/S |
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| 309DS1 |
Workshop (Screenplay) 1
|
Czech |
Z |
1 |
3/T |
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| 309DS2 |
Workshop (Screenplay) 2
|
Czech |
|
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1 |
3/T |
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| 301SVL1 |
World Literature 1
|
Czech |
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1 |
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| 301SVL2 |
World Literature 2
|
Czech |
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2 |
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| 301SVL3 |
World Literature 3
|
Czech |
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1 |
2/T |
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| 301SVL4 |
World Literature 4
|
Czech |
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2 |
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