Optional subjects FAMU
Hide subjects not taught in the current semester
Code | Course Name | Language Instruction | Schedule | WINTER SEMESTER | SUMMER SEMESTER | |||||
Tutor | completion | ECTS | range | completion | ECTS | range | ||||
309HMG1 | Acting 1 | Czech | see detail | Z | 1 | 3/D | ||||
309HMG2 | Acting 2 | Czech | Z | 1 | 25/s | |||||
309HMG3 | Acting 3 | Czech | see detail | Z | 1 | 3/D | ||||
309HMG4 | Acting 4 | Czech | Z | 1 | 3/d | |||||
309HMG5 | Acting 5 | Czech | Z | 1 | 3/D | |||||
300FFAI | Analysis and Interpretation - Seminar on Film History | Czech | ZK | 3 | ||||||
309MANI | Animasophy-Notes toward the theory of animation | English | 10:00–16:00 Room No. 1 |
Z | 1 | 4/D | ||||
373REK | Applying Aesthetic Categories in Film | Czech | ZK | 2 | 2/T | |||||
373ITT1 | Art and Technology of Intermedia 1 | Czech | ZK | 3 | 6/T | |||||
373ITT2 | Art and Technology of Intermedia 2 | Czech | Fri 12:45–16:00 Institut intermédií - Dejvice |
ZK | 3 | 6/T | ||||
305UK | Art of Communication | Czech | Z | 2 | 14/S | |||||
373RKV1 | Aspects and context of visual culture 1 | Czech | Z | 2 | 2/T | |||||
373RKV2 | Aspects and context of visual culture 2 | Czech | Mon 15:40–17:15 Room No. 1 |
ZK | 2 | 2/T | ||||
373KD1 | Audiovisual Studies: Consultation Workshop 1 | Czech | Z | 1 | 9/S | |||||
373KD2 | Audiovisual Studies: Consultation Workshop 2 | Czech | Z | 1 | 9/S | |||||
373KD3 | Audiovisual Studies: Consultation Workshop 3 | Czech | Z | 1 | 9/S | |||||
373KD4 | Audiovisual Studies: Consultation Workshop 4 | Czech | Z | 1 | 9/S | |||||
305OVFD1 | Business Relationships in the Film Distribution 1 | Czech | ZK | 3 | 2/T | |||||
305OVFD2 | Business Relationships in the Film Distribution 2 | Czech | – Room No. 334 |
Z | 2 | 14/S | ||||
311CEW | Central European Cinemas within the Context of the World Cinema | English | see detail | ZK | 3 | 5/T | ZK | 3 | 5/T | |
306KDSS | Chapters from the History of Film Editing | Czech | Thu 18:10–19:45 Room No. 311 |
Z | 2 | 2/T | ||||
306KDSS1 | Chapters from the History of Film Editing 1 | Czech | Thu 18:10–19:45 Room No. 311 |
Z | 2 | 2/T | ||||
306KDSS2 | Chapters from the History of Film Editing 2 | Czech | Thu 18:10–19:45 Room No. 311 |
Z | 2 | 2/T | ||||
306KDSS3 | Chapters from the History of Film Editing 3 | Czech | Thu 18:10–19:45 Room No. 311 |
Z | 2 | 2/T | ||||
306VP | Character | Czech | Z | 2 | 16/S | |||||
307MCSM | Chinese social media | English, Czech | 14:00–17:00 Tržiště -st. intermedia |
Z | 1 | 6/S | ||||
304ECINT1 | Cinematography Theory 1 | English | ZK | 1 | 2/T | |||||
306MCM | Cinergy with Yorgos Mavropsaridis | English, Czech | ||||||||
300FFCA | Coming Attraction: Film Marketing and Distribution | Czech | ZK | 4 | ||||||
305MONS | Consumer-Oriented Marketing | Czech | ZK | 3 | 2/T | |||||
373SUF1 | Contemporary Art Film 1 | English, Czech | ZK | 3 | 4/T | |||||
373SUF2 | Contemporary Art Film 2 | English, Czech | Wed 14:50–18:05 Room No. 1 |
ZK | 3 | 4/T | ||||
373SF1 | Contemporary Philosophy 1 | Czech | Z | 2 | 2/T | |||||
373SF2 | Contemporary Philosophy 2 | Czech | Mon 17:30–19:00 FF UK - učebna 217 |
Z | 2 | 2/T | ||||
303MSCTD | Cooperation with Czech TV in the field of Documentary film | Czech | 09:50–16:00 Room No. 217 |
Z | 1 | 8/S | ||||
305AP1 | Copyright Law 1 | Czech | Z | 2 | 2/T | |||||
305AP2 | Copyright Law 2 | Czech | Tue 09:00–10:35 Room No. 329 |
ZK | 3 | 20/S | ||||
303MATP2 | Creative creation as a projection screen of one´s own 2 | Czech | Z | 1 | 7/S | |||||
300FFCF | Czech Cinema 70's - 90's | Czech | ZK | 4 | ||||||
300FFP | Czech Cinema and Popculture | Czech | ZK | 4 | ||||||
373VPH | Development of Computer Plays | Czech | Z | 2 | 4/T | |||||
304MRP | Digital Film Restauration | Czech | Z | 1 | 1/D | |||||
305MDT | Digital Technology vs. Movie Spectatorship | Czech | Z | 1 | 3/S | |||||
304EDW1 | Digital Workflow 1 | Czech | Thu 14:50–16:25 Room No. 226 |
Z | 1 | 2/T | ||||
304EDW2 | Digital Workflow 2 | Czech | ZK | 2 | 2/T | |||||
302PR1 | Directing Screenings 1 | Czech | Z | 1 | 26/S | |||||
302PR10 | Directing Screenings 10 | Czech | Tue 18:10–21:25 Projection Room |
Z | 1 | 26/S | ||||
302PR2 | Directing Screenings 2 | Czech | Tue 18:10–21:25 Projection Room |
Z | 1 | 26/S | ||||
302PR3 | Directing Screenings 3 | Czech | Z | 1 | 26/S | |||||
302PR4 | Directing Screenings 4 | Czech | Tue 18:10–21:25 Projection Room |
Z | 1 | 26/S | ||||
302PR5 | Directing Screenings 5 | Czech | Z | 1 | 26/S | |||||
302PR6 | Directing Screenings 6 | Czech | Tue 18:10–21:25 Projection Room |
Z | 1 | 26/S | ||||
302PR7 | Directing Screenings 7 | Czech | Z | 1 | 26/S | |||||
302PR8 | Directing Screenings 8 | Czech | Tue 18:10–21:25 Projection Room |
Z | 1 | 26/S | ||||
302PR9 | Directing Screenings 9 | Czech | Z | 1 | 26/S | |||||
305SAT1 | Distributing Audiovisual Work 1 | Czech | Tue 16:30–18:05 Room No. 330 |
Z | 2 | 2/T | ||||
305SAT2 | Distributing Audiovisual Work 2 | Czech | ZK | 3 | 24/S | |||||
305SATD2 | Distributing of Audiovisual Works and Contemporary Distribution 2 | Czech | 09:00–16:00 Room No. 330 |
Z | 2 | 14/S | ||||
303MDPMT | Documentary Film Projects for International Markets | Czech | see detail | Z | 2 | 10/S | ||||
306MDRW | Documentary rough-cut workshop dok.incubator | English | Z | 2 | 2/D | |||||
303KD1 | Documentary: Consultation Workshop 1 | Czech | Z | 1 | 9/S | |||||
303KD2 | Documentary: Consultation Workshop 2 | Czech | Z | 1 | 9/S | |||||
303DF1 | Dokumentary Photography 1 | Czech | Z | 1 | 2/T | |||||
301DAS1 | Dramaturgical Screenplay Analysis 1 | Czech | Z | 2 | 26/S | |||||
301DRAS2 | Dramaturgical Screenplay Analysis 2 | Czech | Wed 09:50–13:05 Room No. 432 |
Z | 2 | 26/S | ||||
301VD | Dramaturgy and Development for TV | Czech | Z | 2 | 2/T | |||||
305EK1 | Economics 1 - Microeconomics | Czech | Tue 14:50–16:25 Room No. 330 |
ZK | 2 | 2/T | ||||
306OS1 | Editing Department Seminar 1 | Czech | Z | 1 | 26/S | |||||
306OS2 | Editing Department Seminar 2 | Czech | Tue 18:10–21:25 Projection Room |
Z | 1 | 26/S | ||||
306OS3 | Editing Department Seminar 3 | Czech | Z | 1 | 26/S | |||||
306OS4 | Editing Department Seminar 4 | Czech | Tue 18:10–21:25 Projection Room |
Z | 1 | 26/S | ||||
306OS5 | Editing Department Seminar 5 | Czech | Z | 1 | 26/S | |||||
306OS6 | Editing Department Seminar 6 | Czech | Tue 18:10–21:25 Projection Room |
Z | 1 | 26/S | ||||
306OS7 | Editing Department Seminar 7 | Czech | Z | 1 | 26/S | |||||
306OS8 | Editing Department Seminar 8 | Czech | Tue 18:10–21:25 Projection Room |
Z | 1 | 26/S | ||||
306KD1 | Editing: Consultation Workshop 1 | Czech | Z | 1 | 9/S | |||||
306KD2 | Editing: Consultation Workshop 2 | Czech | Z | 1 | 9/S | |||||
373SVK | Exhibition and Curatorship Seminar | Czech | Thu 12:20–13:55 Room No. 2 |
Z | 1 | 2/T | ||||
373EF | Experimental Film | Czech | Wed 14:50–18:05 Room No. 6 |
ZK | 3 | 4/T | ||||
301FM | Facts, Myths, Stories | Czech | Wed 14:50–18:05 Room No. 4 |
Z | 2 | 2/T | ||||
305MFI | Febio Industry | English | see detail | Z | 2 | 3/D | ||||
303FS | Festival Strategy | Czech | Wed 12:20–13:50 Room No. 217 |
Z | 2 | 16/S | ||||
373SFA | Film Analysis Seminar | Czech | Mon 16:30–18:05 Room No. 423 |
ZK | 3 | 2/T | ||||
308ZAF1 | Film Genre 1 | Czech | ZK | 2 | 26/S | |||||
308ZAF2 | Film Genre 2 | Czech | see detail | ZK | 2 | 26/S | ||||
304FIL1 | Film Laboratory 1 | Czech | ZK | 2 | 2/T | |||||
302FR1 | Film Language 1 | Czech | Z | 1 | 2/T | |||||
302FR2 | Film Language 2 | Czech | Mon 17:20–18:55 Room No. 240 |
Z | 1 | 2/T | ||||
305FM1 | Film Marketing 1 | Czech | Z | 2 | 2/T | |||||
305FM2 | Film Marketing 2 | Czech | see detail | Z | 2 | 14/S | ||||
305FIPR1 | Film Production 1 | Czech | Z | 2 | 1/T | |||||
305FIPR2 | Film Production 2 | Czech | Tue 13:10–14:45 Room No. 334 |
Z | 2 | 2/T | ||||
308PTFIZ3 | Film Sound Technology and Methods 3 | Czech | Z | 1 | 2/T | |||||
311FSF1 | Film Style and Form 1 | English | ZK | 3 | 4/W | |||||
311FSF2 | Film Style and Form 2 | English | Mon 14:00–15:35 Room No. 1 |
ZK | 3 | 4/W | ||||
304FITE | Film Technology | Czech | ZK | 2 | 2/T | |||||
308FZ | Film and Life | Czech | Mon 14:00–15:35 Room No. 5 |
Z | 1 | 14/S | Z | 1 | 14/S | |
306MFP | Filmmaker - Lecturer | Czech | Z | 1 | 2/D | |||||
306MFP1 | Filmmaker - Lecturer 1 | Czech | see detail | Z | 4 | 7 dní | ||||
373MKHK | Films of Honk Kong | English, Czech | Z | 2 | 2/D | |||||
311GL1 | Guest Lecture 1 | English | Z | 1 | 3/T | |||||
311GL2 | Guest Lecture 2 | English | Mon 15:40–18:05 Projection Room |
Z | 1 | 3/T | ||||
307PH1 | Guest Lectures 1 | Czech | Z | 1 | 13/S | |||||
307PHO0 | Guest Lectures 10 | Czech | Wed 19:00–20:30 Room No. 1 |
Z | 2 | 13/S | ||||
307PH2 | Guest Lectures 2 | Czech | Wed 19:00–20:30 Room No. 1 |
Z | 1 | 13/S | ||||
307PH3 | Guest Lectures 3 | Czech | Z | 1 | 13/S | |||||
307PH4 | Guest Lectures 4 | Czech | Wed 19:00–20:30 Room No. 1 |
Z | 1 | 13/S | ||||
307PH5 | Guest Lectures 5 | Czech | Z | 1 | 13/S | |||||
307PHO6 | Guest Lectures 6 | Czech | Wed 19:00–20:30 Room No. 1 |
Z | 1 | 13/S | ||||
307PHO7 | Guest Lectures 7 | Czech | Z | 1 | 13/S | |||||
307PHO8 | Guest Lectures 8 | Czech | Wed 19:00–20:30 Room No. 1 |
Z | 1 | 13/S | ||||
307PHO9 | Guest Lectures 9 | Czech | Z | 1 | 13/S | |||||
307DTF2 | History and Theory of Photography 2 | Czech | Wed 14:50–18:05 Projection Room |
ZK | 3 | 4/T | ||||
311HAN | History of Animation | English | Mon 10:40–12:15 Room No. 3 |
ZK | 3 | 2/T | ZK | 3 | 2/T | |
373DFT1 | History of Audiovisual Theory 1 | Czech | ZK | 3 | 2/T | |||||
373DFT2 | History of Audiovisual Theory 2 | Czech | Mon 14:00–15:35 Room No. 7 |
ZK | 3 | 2/T | ||||
300FFDT | History of Film Theories A | Czech | ZK | 4 | ||||||
308DH1 | History of Music 1 | Czech | Z | 1 | 2/T | |||||
308DH2 | History of Music 2 | Czech | Wed 14:50–16:25 Room No. 318 |
ZK | 2 | 2/T | ||||
301DD | History of Theatre - Selected Chapters | Czech | Z | 2 | 2/T | |||||
301DD2 | History of Theatre - Selected Chapters 2 | Czech | Wed 16:30–18:05 Room No. 2 |
Z | 2 | 2/T | ||||
373IS1 | Imaginary Worlds 1 | Czech | ZK | 2 | 2/T | |||||
373IS2 | Imaginary Worlds 2 | Czech | Thu 17:20–18:55 Room No. 1 |
ZK | 2 | 2/T | ||||
300MVPP | Initial Screening | Czech | Z | 1 | 6/H | |||||
300ZS1 | International Exchange 1 | Czech | Z | 1 | Z | 1 | ||||
300ZS10 | International Exchange 10 | Czech | Z | 10 | Z | 10 | ||||
300ZS15 | International Exchange 15 | Czech | Z | 15 | Z | 15 | ||||
300ZS2 | International Exchange 2 | Czech | Z | 2 | Z | 2 | ||||
300ZS20 | International Exchange 20 | Czech | Z | 20 | Z | 20 | ||||
300ZS25 | International Exchange 25 | Czech | Z | 25 | Z | 25 | ||||
300ZS3 | International Exchange 3 | Czech | Z | 3 | Z | 3 | ||||
300ZS30 | International Exchange 30 | Czech | Z | 30 | Z | 30 | ||||
373UVU1 | Introduction to Fine Arts 1 | Czech | ZK | 2 | 2/T | |||||
373UVU2 | Introduction to Fine Arts 2 | Czech | Thu 15:40–17:15 Room No. 1 |
ZK | 2 | 2/T | ||||
302MOEP | Introduction to Lighting - Exposure and Postproduction | Czech | Z | 2 | 18/S | |||||
303IPD | Investigative Methods and Documentary Film | Czech | Z | 3 | 2/T | |||||
305PR1 | Law 1 | Czech | ZK | 3 | 2/T | |||||
305PR2 | Law 2 | Czech | Tue 10:40–12:15 Room No. 1 |
ZK | 3 | 24/S | ||||
305PR4 | Law 4 | Czech | ZK | 3 | 2/T | |||||
301LF1 | Literature in Film 1 | Czech | Z | 1 | 3/T | |||||
301LF2 | Literature in Film 2 | Czech | Thu 15:40–18:05 Room No. 432 |
ZK | 2 | 3/T | ||||
301MMMG | Masterclass: Mark Gatiss | English | 09:30–11:00 Room No. 3 |
Z | 1 | 1/D | ||||
303VPD1 | Means of Expression in Documentary Film 1 | Czech | Z | 1 | 2/T | |||||
303VPD2 | Means of Expression in Documentary Film 2 | Czech | Mon 15:40–17:15 Room No. 211 |
ZK | 2 | 2/T | ||||
305PD | Media Management | Czech | Wed 09:50–11:25 Room No. 330 |
ZK | 3 | 24/S | ||||
301MCL1 | Modern Literature 1 | Czech | Mon 10:40–12:15 Room No. 6 |
Z | 1 | 2/T | ||||
301ML2 | Modern Literature 2 | Czech | Z | 2 | 2/T | |||||
306MSDS | Montage of Dialogues | Czech | see detail | Z | 1 | 2/D | ||||
303MFSC | Movie Time Collectors | Czech | 09:50–17:15 Projection Room |
Z | 2 | 9/S | ||||
306RMK1 | Multiculturality in Cinematography 1 | Czech | Z | 2 | 24/S | |||||
306RMK2 | Multiculturality in Cinematography 2 | Czech | Tue 13:10–16:25 Room No. 310 |
ZK | 2 | 24/S | ||||
308HNA | Music Theory | Czech | ZK | 1 | 13/S | |||||
373HV | Music and Visuality: The History of Music in the Context of Perception Development | Czech | Mon 16:30–18:05 |
ZK | 2 | 2/T | ||||
309HAF1 | Music in Animated Film 1 | Czech | ZK | 1 | 2/T | |||||
309HAF2 | Music in Animated Film 2 | Czech | Thu 14:50–16:25 Room No. 420 |
ZK | 2 | 2/T | ||||
373DNM1 | New Media History 1 | English, Czech | ZK | 3 | 4/T | |||||
373DNM2 | New Media History 2 | English, Czech | Wed 14:50–18:05 Room No. 423 |
ZK | 3 | 4/T | ||||
373FS1 | Open Philosophy Seminar 1 | Czech | Z | 2 | 2/T | |||||
303OS1 | Open Seminar 1 | Czech | Z | 1 | 2/T | |||||
303OS0 | Open Seminar 10 | Czech | Tue 19:00–20:35 Room No. 211 |
Z | 1 | 2/T | ||||
303OS2 | Open Seminar 2 | Czech | Tue 19:00–20:35 Room No. 211 |
Z | 1 | 2/T | ||||
303OS3 | Open Seminar 3 | Czech | Z | 1 | 2/T | |||||
303OS4 | Open Seminar 4 | Czech | Tue 19:00–20:35 Room No. 211 |
Z | 1 | 2/T | ||||
303OS5 | Open Seminar 5 | Czech | Z | 1 | 2/T | |||||
303OS6 | Open Seminar 6 | Czech | Tue 19:00–20:35 Room No. 211 |
Z | 1 | 2/T | ||||
303OS7 | Open Seminar 7 | Czech | Z | 1 | 2/T | |||||
303OS8 | Open Seminar 8 | Czech | Tue 19:00–20:35 Room No. 211 |
Z | 1 | 2/T | ||||
303OS9 | Open Seminar 9 | Czech | Z | 1 | 2/T | |||||
304PD1 | Photoshop - Digital special effects 1 | Czech | Z | 2 | 2/T | |||||
304PD2 | Photoshop - Digital special effects 2 | Czech | Mon 15:40–17:15 Room No. 226 |
Z | 2 | 2/T | ||||
373MDPLO | Pierre Berthet & Rie Nakajima: Dead Plants & Living Objects | English, Czech | Z | 1 | 10/S | |||||
306PD1 | Practical Dramaturgy 1 | Czech | Z | 1 | 26/S | |||||
306PD2 | Practical Dramaturgy 2 | Czech | Tue 12:20–15:35 Room No. 311 |
ZK | 2 | 26/S | ||||
306MPCV | Practical Exercises of Film Education: The Spirit of the Hive | Czech | 10:00–16:30 Projection Room |
Z | 1 | 1/D | ||||
302FR | Practical Film Language | Czech | Z | 1 | ||||||
300PPS1 | Practical Work for FAMU 1 | Czech | Z | 1 | Z | 1 | ||||
300PPS0 | Practical Work for FAMU 10 | Czech | Z | 10 | Z | 10 | ||||
300PPS2 | Practical Work for FAMU 2 | Czech | Z | 2 | Z | 2 | ||||
300PPS3 | Practical Work for FAMU 3 | Czech | Z | 3 | Z | 3 | ||||
300PPS4 | Practical Work for FAMU 4 | Czech | Z | 4 | Z | 4 | ||||
300PPS5 | Practical Work for FAMU 5 | Czech | Z | 5 | Z | 5 | ||||
300PPS6 | Practical Work for FAMU 6 | Czech | Z | 6 | Z | 6 | ||||
300PPS7 | Practical Work for FAMU 7 | Czech | Z | 7 | Z | 7 | ||||
300PPS8 | Practical Work for FAMU 8 | Czech | Z | 8 | Z | 8 | ||||
300PPS9 | Practical Work for FAMU 9 | Czech | Z | 9 | Z | 9 | ||||
301PD | Producer's Dramaturgy | Czech | Wed 10:40–13:05 Room No. 434 |
Z | 2 | 2/T | ||||
305KD1 | Producing: Consultation Workshop 1 | Czech | Z | 1 | 9/S | |||||
305PO | Programming and Business | Czech | ZK | 3 | 2/T | |||||
306PO3 | Psychology and Profile of Personality 3 | Czech | ZK | 2 | ||||||
306PO1 | Psychology of Personality 1 | Czech | Z | 1 | 26/S | |||||
306PO2 | Psychology of Personality 2 | Czech | Fri 14:00–17:15 Room No. 2 |
ZK | 2 | 26/S | ||||
305PUBR1 | Public Relations 1 | Czech | Z | 2 | 24/S | |||||
300FFCT | Reading on Film Theories A | Czech | Z,ZK | 6 | ||||||
373PD1 | Screenings and Dialogues 1 | Czech | ZK | 1 | 3/T | |||||
373PD2 | Screenings and Dialogues 2 | Czech | Mon 19:00–21:25 Městská knihovna - velký sál |
ZK | 1 | 3/T | ||||
373PD3 | Screenings and Dialogues 3 | Czech | ZK | 1 | 3/T | |||||
373PD4 | Screenings and Dialogues 4 | Czech | Mon 19:00–21:25 Městská knihovna - velký sál |
ZK | 1 | 3/T | ||||
373PD5 | Screenings and Dialogues 5 | Czech | ZK | 1 | 3/T | |||||
373PD6 | Screenings and Dialogues 6 | Czech | Mon 19:00–21:25 Městská knihovna - velký sál |
ZK | 1 | 3/T | ||||
301AS | Screenplay Analysis | Czech | Tue 11:30–13:05 Room No. 434 |
Z | 2 | 2/T | ||||
301KD1 | Screenwriting - Consultation Workshop 1 | Czech | Z | 1 | 9/S | |||||
311SA1 | Script Analysis 1 | English | Thu 14:00–15:35 Room No. 1 |
Z | 3 | 2/T | Z | 3 | 2/T | |
305DPR | Script Editing for Producers | Czech | Wed 18:45–21:15 Projection Room |
Z | 2 | 13/S | ||||
301DL1 | Selected Chapters of Literature 1 | Czech | Z | 2 | 2/T | |||||
301DL2 | Selected Chapters of Literature 2 | Czech | Wed 18:10–19:45 Room No. 2 |
Z | 2 | 2/T | ||||
305MSSP | Seminar on Strategic Planning for film producers | Czech | Z | 2 | 20/S | |||||
305FTS1 | Set Design in Film and TV 1 | Czech | Z | 1 | 16/S | |||||
305FTS2 | Set Design in Film and TV 2 | Czech | Tue 18:10–19:45 Room No. 4 |
Z | 1 | 16/S | ||||
305FTS3 | Set Design in Film and TV 3 | Czech | Z | 1 | 16/S | |||||
306DZ1 | Sound Dramaturgy 1 | Czech | Mon 09:00–10:35 Room No. 311 |
Z | 1 | 2/T | ||||
308ZHDA | Sound Dramaturgy in Audiovisual Works | Czech | see detail | ZK | 2 | 2/T | ||||
308ZEK | Sound Ecology and Soundscape | Czech | ZK | 2 | 2/T | |||||
304VEF1 | Special Effects in Film and TV 1 | Czech | Z | 1 | 2/T | |||||
304VEF2 | Special Effects in Film and TV 2 | Czech | ZK | 2 | 2/T | |||||
304VEF3 | Special Effects in Film and TV 3 | Czech | Z | 1 | 2/T | |||||
304VEF4 | Special Effects in Film and TV 4 | Czech | Wed 15:40–17:15 Room No. 226 |
ZK | 2 | 2/T | ||||
302SAV1 | Stage setting in the Cinematography 1 | Czech | Z | 2 | 21/S | |||||
302SAV2 | Stage setting in the Cinematography 2 | Czech | Tue 12:20–14:45 Projection Room |
Z | 2 | 21/S | ||||
302SAV3 | Stage setting in the Cinematography 3 | Czech | Z | 2 | 21/S | |||||
302SAV4 | Stage setting in the Cinematography 4 | Czech | Tue 12:20–14:45 Projection Room |
Z | 2 | 21/S | ||||
309SOS | Storyboard Seminar 1 | Czech | ZK | 2 | 2/T | |||||
301OSSD1 | Study Seminar KSD 1 | Czech | Z | 2 | 4/T | |||||
301OSSD0 | Study Seminar KSD 10 | Czech | Tue 17:20–19:45 Room No. 7 |
Z | 2 | 4/T | ||||
301OSSD2 | Study Seminar KSD 2 | Czech | Tue 17:20–19:45 Room No. 7 |
Z | 2 | 4/T | ||||
301OSSD3 | Study Seminar KSD 3 | Czech | Z | 2 | 4/T | |||||
301OSSD4 | Study Seminar KSD 4 | Czech | Tue 17:20–19:45 Room No. 7 |
Z | 2 | 4/T | ||||
301OSSD5 | Study Seminar KSD 5 | Czech | Z | 2 | 4/T | |||||
301OSSD6 | Study Seminar KSD 6 | Czech | Tue 17:20–19:45 Room No. 7 |
Z | 2 | 4/T | ||||
301OSSD7 | Study Seminar KSD 7 | Czech | Z | 2 | 4/T | |||||
301OSSD8 | Study Seminar KSD 8 | Czech | Tue 17:20–19:45 Room No. 7 |
Z | 2 | 4/T | ||||
301OSSD9 | Study Seminar KSD 9 | Czech | Z | 2 | 4/T | |||||
305TST1 | Television Seminar and Television Formats Trends 1 | Czech | ZK | 3 | 2/T | |||||
306TETE | Television Technic and Technology | Czech | Tue 09:00–10:35 Room No. 1 |
ZK | 2 | 2/T | ||||
373UPO | The Art of the Moving Image | Czech | Z | 2 | 2/T | |||||
308ZTEZ | The Basics of Electroacoustic Sound Design | Czech | Wed 16:30–18:05 Room No. 320 |
Z | 1 | 2/T | ||||
308ZH | The Basics of Music | Czech | ZK | 2 | 2/T | |||||
304KO | The Camera Eye | Czech | Mon 14:00–15:35 Room No. 4 |
Z | 1 | 2/T | ||||
305MFFP | The Finále Plzeň festival - Industry Days programme | English, Czech | see detail | Z | 2 | 4/D | ||||
306GFJ1 | The Grammar of Film Language 1 | Czech | Tue 16:30–18:05 Room No. 311 |
Z | 1 | 2/T | ||||
306GFJ2 | The Grammar of Film Language 2 | Czech | ZK | 2 | 2/T | |||||
306GFJ3 | The Grammar of Film Language 3 | Czech | Tue 13:10–16:25 Room No. 311 |
Z | 1 | 26/S | ||||
306GFJ4 | The Grammar of Film Language 4 | Czech | ZK | 3 | 26/T | |||||
305HSZ | The History and Present of Contemporary TV Genres | Czech | Tue 16:30–18:05 Room No. 334 |
Z | 1 | 24/S | ||||
373DECK1 | The History of Czech Cinema 1 | Czech | ZK | 2 | 6/T | |||||
373DECK2 | The History of Czech Cinema 2 | Czech | see detail | ZK | 2 | 6/T | ||||
303DDF1 | The History of Documentary Film 1 | Czech | – |
ZK | 3 | 4/T | ||||
303DDF2 | The History of Documentary Film 2 | Czech | Wed 14:50–18:05 Room No. 217 |
ZK | 3 | 4/T | ||||
373DSK1 | The History of World Cinema 1 | Czech | ZK | 2 | 6/T | |||||
373DSK2 | The History of World Cinema 2 | Czech | see detail | ZK | 2 | 6/T | ||||
373DSK3 | The History of World Cinema 3 | Czech | ZK | 2 | 6/T | |||||
306SVE3 | The Light 3 | Czech | Tue 18:10–21:25 Room No. 311 |
Z | 2 | 2/T | ||||
373MOM1 | The Power of the Image, The Image of Power 1 | Czech | Z | 2 | 2/T | |||||
373MOM2 | The Power of the Image, The Image of Power 2 | Czech | Wed 16:30–18:05 Room No. 7 |
ZK | 2 | 2/T | ||||
305PEZ | The Production of Virtual Entertainment | Czech | Z | 2 | 2/T | |||||
306TSS1 | The Theory of Editing 1 | Czech | ZK | 2 | 3/T | |||||
306TSS2 | The Theory of Editing 2 | Czech | ZK | 2 | 2/T | |||||
306TSS4 | The Theory of Editing 4 | Czech | ZK | 3 | 2/T | |||||
303ZSD1 | The Variety of Documentary Film Genres 1 | Czech | Z | 1 | 2/T | |||||
303ZSD2 | The Variety of Documentary Film Genres 2 | Czech | Thu 15:40–17:15 Room No. 217 |
ZK | 2 | 2/T | ||||
302MSFK1 | The contemporary cinematography by creative directors of Be2Can 1 | Czech | Z | 2 | 3/D | |||||
303MNFSD | The film title, key still and synopses as the first way to the audience | Czech | 10:00–17:00 Room No. 217 |
Z | 1 | 8/S | ||||
308TFIH1 | Theory of Film Music 1 | Czech | Z | 1 | 14/S | |||||
308TFIH2 | Theory of Film Music 2 | Czech | Tue 16:30–17:15 Room No. 5 |
ZK | 1 | 12/S | ||||
300FFAK | Trends of Post-war American Cinematography | Czech | ZK | 4 | ||||||
303MSAM | Velvet film | Czech | 09:50–17:15 Room No. 217 |
Z | 1 | 8/S | ||||
300FFVD | Video on Demand | Czech | Z,ZK | 6 | ||||||
307VERS | Vortex studio | English, Czech | Z | 1 | 1/S | |||||
302VK1 | Václav Kadrnka's Workshop 2 | Czech | see detail | Z | 1 | 2/T | ||||
373MWG | WAVEGUIDES – a sound site-specific installation in GAMU | English | 09:00–20:00 |
Z | 2 | 40/S | ||||
309DAS3 | Workshop (Screenplay) 3 | Czech | Z | 1 | 3/T | |||||
309DAS5 | Workshop (Screenplay) 5 | Czech | Z | 1 | 3/T | |||||
301SVL1 | World Literature 1 | Czech | Z | 1 | 2/T | |||||
301SVL2 | World Literature 2 | Czech | Tue 10:40–12:15 Room No. 432 |
ZK | 2 | 2/T | ||||
301SVL3 | World Literature 3 | Czech | Z | 1 | 2/T | |||||
301SVL4 | World Literature 4 | Czech | Thu 14:00–15:35 Room No. 432 |
ZK | 2 | 2/T |