Optional subjects FAMU
Hide subjects not taught in the current semester
| Code | Course Name | Language Instruction | Schedule | WINTER SEMESTER | SUMMER SEMESTER | |||||
|---|---|---|---|---|---|---|---|---|---|---|
| Tutor | completion | ECTS | range | completion | ECTS | range | ||||
| 300MEK | Ester Krumbachová and Magic Movies | Czech | Z | 1 | 7h | |||||
| 308MHSF | A composer and his role in making a film | Czech | Z | 1 | 8S | |||||
| 309HM1 | Acting 1 - Body Language | Czech | see detail | Z | 1 | 3/D | ||||
| 309HM2 | Acting 2 - Character Building | Czech | Z | 1 | 25/s | |||||
| 309HM3 | Acting 3 - Mask | Czech | see detail | Z | 1 | 3/D | ||||
| 309HM4 | Acting 4 - Gag | Czech | Z | 1 | 3/d | |||||
| 309HM5 | Acting 5 - Animation and Actor | Czech | Z | 1 | 3/D | |||||
| 373MAS | Albert Sackl with Henry Hills | English | see detail | Z | 1 | 10S | ||||
| 300FFAI | Analysis and Interpretation - Seminar on Film History | Czech | ZK | 3 | ||||||
| 373REK | Applying Aesthetic Categories in Film | Czech | ZK | 2 | 2T | |||||
| 303MARDF | Architecture in documentary film | Czech | 10:00–17:00 Projection Room |
Z | 1 | 7S | ||||
| 373ITT1 | Art and Technology of Intermedia 1 | Czech | ZK | 3 | 6T | |||||
| 373ITT2 | Art and Technology of Intermedia 2 | Czech | Fri 12:45–16:00 Institut intermédií - Dejvice |
ZK | 3 | 6T | ||||
| 308MAI | Artificial intelligence for art and music | English | 11:00–18:00 Room No. TR-336 |
Z | 1 | |||||
| 373KD1 | Audiovisual Studies: Consultation Workshop 1 | Czech | Z | 1 | 9S | Z | 1 | 9S | ||
| 373KD2 | Audiovisual Studies: Consultation Workshop 2 | Czech | Z | 1 | 9S | Z | 1 | 9S | ||
| 305OVFD1 | Business Relationships in the Film Distribution 1 | Czech | ZK | 3 | 2T | |||||
| 311CEW | Central European Cinemas within the Context of the World Cinema | English | ZK | 3 | 5T | ZK | 3 | 5T | ||
| 306KDSS | Chapters from the History of Film Editing | Czech | Thu 18:10–19:45 Room No. 311 |
Z | 2 | 2T | ||||
| 306KDSS1 | Chapters from the History of Film Editing 1 | Czech | Thu 18:10–19:45 Room No. 311 |
Z | 2 | 2T | ||||
| 306KDSS2 | Chapters from the History of Film Editing 2 | Czech | Thu 18:10–19:45 Room No. 311 |
Z | 2 | 2T | ||||
| 306KDSS3 | Chapters from the History of Film Editing 3 | Czech | Thu 18:10–19:45 Room No. 311 |
Z | 2 | 2T | ||||
| 306VP | Character | Czech | Z | 2 | 16S | |||||
| 306MCBK | Cined presents: Berlanga | Czech | 09:30–12:00 Projection Room |
Z | 1 | 1D | ||||
| 311MCDMP | Cinema and Digital Media Program Pitching Forum | English | 13:00–16:00 Room No. 3 |
Z | 1 | 3S | ||||
| 306MCJW | Cinergy with Joe Walker | English | Z | 1 | 2D | |||||
| 304MKAK | Confrontation - Antonín Kratochvíl | Czech | 18:10–21:30 Projection Room |
|||||||
| 305MONS | Consumer-Oriented Marketing | Czech | ZK | 3 | 2T | |||||
| 309MSAA | Contemporary Artistic Animation in Practice: Drawing, Puppets, Rotoscoping | English, Czech | Z | 2 | 7/D | |||||
| 373SF1 | Contemporary Philosophy 1 | Czech | Z | 2 | 2T | |||||
| 373SF2 | Contemporary Philosophy 2 | Czech | Mon 17:30–19:00 FF UK - učebna 217 |
Z | 2 | 2T | ||||
| 305AP1 | Copyright Law 1 | Czech | Z | 2 | 2T | |||||
| 305AP2 | Copyright Law 2 | Czech | Tue 13:10–14:45 Room No. 334 |
ZK | 3 | 2T | ||||
| 373MCCWP | Creative Coding with Python | English | Z | 2 | 45S | |||||
| 301TCP | Creative Writing | Czech | 10:30–12:00 Room No. 434 |
Z | 1 | 2T | ||||
| 373MCCWP2 | Creative coding with Python 2 | English | see detail | Z | 2 | 3/D | ||||
| 373SKS2 | Critique and Stylistics Seminar 2 | Czech | Mon 14:50–16:25 Room No. 7 |
ZK | 2 | 2T | ||||
| 311CTP1 | Cultural Topography of Prague 1 | English | Z | 1 | 30S | |||||
| 311CTP2 | Cultural Topography of Prague 2 | English | Z | 1 | 25S | |||||
| 300FFCF | Czech Cinema 70's - 90's | Czech | ZK | 4 | ||||||
| 373VPH | Development of Computer Plays | Czech | Z | 2 | 4T | |||||
| 304EDW1 | Digital Workflow 1 | Czech | Thu 14:00–15:35 Room No. 226 |
Z | 1 | 2T | ||||
| 304EDW2 | Digital Workflow 2 | Czech | ZK | 2 | 2T | |||||
| 305DP | Direct taxes | Czech | ZK | 2 | 2T | |||||
| 302PRO1 | Directing Screenings 1 | Czech | Z | 2 | 26S | |||||
| 302PRO10 | Directing Screenings 10 | Czech | Tue 18:10–20:35 Projection Room |
Z | 2 | 26S | ||||
| 302PRO2 | Directing Screenings 2 | Czech | Tue 18:10–20:35 Projection Room |
Z | 2 | 26S | ||||
| 302PRO3 | Directing Screenings 3 | Czech | Z | 2 | 26S | |||||
| 302PRO4 | Directing Screenings 4 | Czech | Tue 18:10–20:35 Projection Room |
Z | 2 | 26S | ||||
| 302PRO5 | Directing Screenings 5 | Czech | Z | 2 | 26S | |||||
| 302PRO6 | Directing Screenings 6 | Czech | Tue 18:10–20:35 Projection Room |
Z | 2 | 26S | ||||
| 302PRO7 | Directing Screenings 7 | Czech | Z | 2 | 26S | |||||
| 302PRO8 | Directing Screenings 8 | Czech | Tue 18:10–20:35 Projection Room |
Z | 2 | 26S | ||||
| 302PRO9 | Directing Screenings 9 | Czech | Z | 2 | 26S | |||||
| 305SAT1 | Distributing Audiovisual Work 1 | Czech | Tue 16:30–18:05 Room No. 329 |
Z | 2 | 2T | ||||
| 305SAT2 | Distributing Audiovisual Work 2 | Czech | ZK | 3 | 24S | |||||
| 306MDRW | Documentary rough-cut workshop dok.incubator | English | Z | 2 | 2/D | |||||
| 303KD1 | Documentary: Consultation Workshop 1 | Czech | Z | 1 | 9S | |||||
| 303KD2 | Documentary: Consultation Workshop 2 | Czech | Z | 1 | 9S | |||||
| 303DF1 | Dokumentary Photography 1 | Czech | Z | 1 | 2T | |||||
| 301DAS1 | Dramaturgical Screenplay Analysis 1 | Czech | Z | 2 | 26S | |||||
| 301DRAS2 | Dramaturgical Screenplay Analysis 2 | Czech | Wed 09:50–13:05 Room No. 432 |
Z | 2 | 26S | ||||
| 301VD | Dramaturgy and Development for TV | Czech | Z | 2 | 2T | |||||
| 305EK1 | Economics 1 - Microeconomics | Czech | Tue 14:50–16:25 Room No. 330 |
ZK | 2 | 2T | ||||
| 306OS1 | Editing Department Seminar 1 | Czech | Z | 1 | 26S | |||||
| 306OS2 | Editing Department Seminar 2 | Czech | Tue 18:10–21:25 Projection Room |
Z | 1 | 26S | ||||
| 306OS3 | Editing Department Seminar 3 | Czech | Z | 1 | 26S | |||||
| 306OS4 | Editing Department Seminar 4 | Czech | Tue 18:10–21:25 Projection Room |
Z | 1 | 26S | ||||
| 306OS5 | Editing Department Seminar 5 | Czech | Z | 1 | 26S | |||||
| 306OS6 | Editing Department Seminar 6 | Czech | Tue 18:10–21:25 Projection Room |
Z | 1 | 26S | ||||
| 306OS7 | Editing Department Seminar 7 | Czech | Z | 1 | 26S | |||||
| 306OS8 | Editing Department Seminar 8 | Czech | Tue 18:10–21:25 Projection Room |
Z | 1 | 26S | ||||
| 306EC2 | Editing cooperation 2 | English | Z | 8 | 200S | |||||
| 306KD1 | Editing: Consultation Workshop 1 | Czech | Z | 1 | 9S | |||||
| 306KD2 | Editing: Consultation Workshop 2 | Czech | Z | 1 | 9S | |||||
| 306MEOP | Ermanno Olmi – Il Posto | Czech | Z | 1 | 1D | |||||
| 373SVK | Exhibition and Curatorship Seminar | Czech | Thu 12:20–13:55 Room No. 423 |
Z | 1 | 2T | ||||
| 305MFI | Febio Industry | English, Czech | Z | 2 | 18S | |||||
| 303FS | Festival Strategy | Czech | Wed 12:20–13:55 Room No. 217 |
Z | 2 | 16S | ||||
| 373MFB | Field-recording and Sound Creation for Film, Video-art and Sound-works | English | see detail | Z | 2 | 2/D | ||||
| 373SFA | Film Analysis Seminar | Czech | Mon 16:30–18:05 Room No. 423 |
ZK | 3 | 2T | ||||
| 373SAF | Film Analysis Seminar | Czech | Wed 09:00–11:45 Projection Room |
Z | 1 | 3T | ||||
| 373FA | Film Avant-garde | Czech | ZK | 3 | 4T | |||||
| 308ZAF1 | Film Genre 1 | Czech | ZK | 2 | 26S | |||||
| 308ZAF2 | Film Genre 2 | Czech | see detail | ZK | 2 | 26S | ||||
| 302FR1 | Film Language 1 | Czech | Z | 1 | 2T | |||||
| 302FR2 | Film Language 2 | Czech | Mon 17:20–18:55 Room No. 240 |
Z | 1 | 2T | ||||
| 305FM1 | Film Marketing 1 | Czech | Z | 2 | 2T | |||||
| 305FM2 | Film Marketing 2 | Czech | Tue 09:50–12:15 Room No. 330 |
Z | 2 | 12S | ||||
| 305FIPR1 | Film Production 1 | Czech | Z | 2 | 1T | |||||
| 305FIPR2 | Film Production 2 | Czech | Tue 13:10–14:45 Room No. 330 |
Z | 2 | 2T | ||||
| 308PTFIZ3 | Film Sound Technology and Methods 3 | Czech | Z | 1 | 2T | |||||
| 311FSF1 | Film Style and Form 1 | English | ZK | 3 | 4/W | |||||
| 311FSF2 | Film Style and Form 2 | English | Mon 14:00–15:35 Room No. 1 |
ZK | 3 | 4/W | ||||
| 304FITE | Film Technology | Czech | ZK | 2 | 2T | |||||
| 308FZ | Film and Life | Czech | Mon 14:00–15:35 Room No. 5 |
Z | 1 | 14S | Z | 1 | 14S | |
| 373VU1 | Fine Arts 1 | Czech | ZK | 2 | 2T | |||||
| 373VU2 | Fine Arts 2 | Czech | Thu 15:40–17:15 Room No. 1 |
ZK | 2 | 2T | ||||
| 303MDOET | First hand experience – Ethics of documentary film | Czech | 10:00–17:00 Room No. 2 |
Z | 1 | 7S | ||||
| 303MFOFO | Found footage and/or Second Hand Art | Czech | Z | 1 | 7S | |||||
| 311GL1 | Guest Lecture 1 | English | Z | 1 | 18S | |||||
| 311GL2 | Guest Lecture 2 | English | Mon 15:40–18:05 Projection Room |
Z | 1 | 21S | ||||
| 311GL3 | Guest Lecture 3 | English | Z | 1 | 18S | |||||
| 307HP1 | Guest Lectures 1 | Czech | Z | 2 | 13S | |||||
| 307HP10 | Guest Lectures 10 | Czech | Wed 19:00–20:35 Room No. 1 |
Z | 2 | 13S | ||||
| 307HP2 | Guest Lectures 2 | Czech | Wed 19:00–20:35 Room No. 1 |
Z | 2 | 13S | ||||
| 307HP3 | Guest Lectures 3 | Czech | Z | 2 | 13S | |||||
| 307HP4 | Guest Lectures 4 | Czech | Wed 19:00–20:35 Room No. 1 |
Z | 2 | 13S | ||||
| 307HP5 | Guest Lectures 5 | Czech | Z | 2 | 13S | |||||
| 307HP6 | Guest Lectures 6 | Czech | Wed 19:00–20:35 Room No. 1 |
Z | 2 | 13S | ||||
| 307HP7 | Guest Lectures 7 | Czech | Z | 2 | 13S | |||||
| 307HP8 | Guest Lectures 8 | Czech | Wed 19:00–20:35 Room No. 1 |
Z | 2 | 13S | ||||
| 307HP9 | Guest Lectures 9 | Czech | Z | 2 | 13S | |||||
| 303MFHZP | Hanzelka a Zikmund films in postcolonial perspektive | Czech | see detail | Z | 1 | 7S | ||||
| 307DT1 | History and Theory of Photography 1 | Czech | ZK | 4 | 4T | |||||
| 307DT2 | History and Theory of Photography 2 | Czech | Wed 14:50–18:05 Projection Room |
ZK | 4 | 4T | ||||
| 373DVU1 | History and Theory of Visual Arts and Architecture 1 | Czech | Z | 1 | 2T | |||||
| 373DVU2 | History and Theory of Visual Arts and Architecture 2 | Czech | Thu 17:20–18:55 Room No. 7 |
ZK | 3 | 2T | ||||
| 311HAN | History of Animation | English | Mon 10:40–12:15 Room No. 3 |
ZK | 3 | 2T | ZK | 3 | 2T | |
| 300FFDT | History of Film Theories A | Czech | ZK | 4 | ||||||
| 308DH1 | History of Music 1 | Czech | Z | 1 | 2T | |||||
| 308DH2 | History of Music 2 | Czech | Wed 14:50–16:25 Room No. 318 |
ZK | 2 | 2T | ||||
| 301DD | History of Theatre - Selected Chapters | Czech | Z | 2 | 2T | |||||
| 301DD2 | History of Theatre - Selected Chapters 2 | Czech | Z | 2 | 2T | |||||
| 373IS1 | Imaginary Worlds 1 | Czech | ZK | 2 | 2T | |||||
| 373IS2 | Imaginary Worlds 2 | Czech | Thu 17:20–18:55 Room No. 1 |
ZK | 2 | 2T | ||||
| 300MVPA | Influence of Psychomotoric Aspects on Strentgh of Organism Resistance | Czech | ||||||||
| 300MVPP | Initial Screening | Czech | Z | 1 | 6/H | |||||
| 300ZS1 | International Exchange 1 | Czech | Z | 1 | Z | 1 | ||||
| 300ZS10 | International Exchange 10 | Czech | Z | 10 | Z | 10 | ||||
| 300ZS15 | International Exchange 15 | Czech | Z | 15 | Z | 15 | ||||
| 300ZS2 | International Exchange 2 | Czech | Z | 2 | Z | 2 | ||||
| 300ZS20 | International Exchange 20 | Czech | Z | 20 | Z | 20 | ||||
| 300ZS25 | International Exchange 25 | Czech | Z | 25 | Z | 25 | ||||
| 300ZS3 | International Exchange 3 | Czech | Z | 3 | Z | 3 | ||||
| 300ZS30 | International Exchange 30 | Czech | Z | 30 | Z | 30 | ||||
| 303IPD | Investigative Methods and Documentary Film | Czech | Z | 3 | 2T | |||||
| 373MJL | Johann Lurf: Masterclass | English | Z | 1 | 2/D | |||||
| 305PR1 | Law 1 | Czech | ZK | 3 | 2T | |||||
| 305PR2 | Law 2 | Czech | Tue 10:40–12:15 Room No. 1 |
ZK | 3 | 24S | ||||
| 305PR3 | Law 3 | Czech | ZK | 3 | 2T | ZK | 3 | 2T | ||
| 301LF1 | Literature in Film 1 | Czech | Z | 1 | 3T | |||||
| 301LF2 | Literature in Film 2 | Czech | Thu 15:40–18:05 Room No. 432 |
ZK | 2 | 3T | ||||
| 308MLP | MUSIC LIVE PERFORMANCE | Czech | 10:00–18:00 Room No. 1 |
Z | 1 | 11S | ||||
| 311MJSMC | Masterclass with John Stevenson | English, Czech | 10:00–13:00 Room No. 1 |
Z | 1 | 4S | ||||
| 303VPD1 | Means of Expression in Documentary Film 1 | Czech | Z | 1 | 2T | |||||
| 303VPD2 | Means of Expression in Documentary Film 2 | Czech | Mon 15:40–17:15 Room No. 211 |
ZK | 2 | 2T | ||||
| 305PD | Media Management | Czech | Wed 09:50–13:05 Room No. 334 |
ZK | 3 | 28S | ||||
| 373NMNK | Minimalism in Narrative Cinematography | Czech | ZK | 2 | 4T | |||||
| 301MCL1 | Modern Literature 1 | Czech | Mon 10:40–12:15 Room No. 6 |
Z | 1 | 2T | ||||
| 301ML2 | Modern Literature 2 | Czech | Z | 2 | 2T | |||||
| 303MFSFV | Movie for yourself – movie for all | Czech | Z | 2 | 12S | |||||
| 303MFSKV | Movies by Jana Ševčíková, Jaromír Kačer a Alan Vitouš | Czech | 10:00–17:00 Projection Room |
Z | 1 | 7S | ||||
| 306RMK1 | Multiculturality in Cinematography 1 | Czech | Z | 2 | 24S | |||||
| 306RMK2 | Multiculturality in Cinematography 2 | Czech | Tue 13:10–16:25 Room No. 310 |
ZK | 2 | 24S | ||||
| 308HNA | Music Theory | Czech | ZK | 1 | 13S | |||||
| 373HV | Music and Visuality: The History of Music in the Context of Perception Development | Czech | Mon 16:30–18:00 |
ZK | 2 | 2T | ||||
| 303MHDK | Music as a document (of conflicts in today´s world) | Czech | Z | 1 | 7S | |||||
| 309HAF1 | Music in Animated Film 1 | Czech | ZK | 1 | 2T | |||||
| 309HAF2 | Music in Animated Film 2 | Czech | Thu 14:50–16:25 Room No. 420 |
ZK | 2 | 2T | ||||
| 373DNM1 | New Media History 1 | English, Czech | Wed 14:50–18:05 Room No. 1 |
ZK | 3 | 4T | ||||
| 303MJSBB | One World 2019 - Safe proximity | English, Czech | 14:00–16:00 Room No. 1 |
Z | 1 | 8S | ||||
| 303OS1 | Open Seminar 1 | Czech | Z | 1 | 2T | |||||
| 303OS0 | Open Seminar 10 | Czech | Tue 19:00–20:35 Room No. 211 |
Z | 1 | 2T | ||||
| 303OS2 | Open Seminar 2 | Czech | Tue 19:00–20:35 Room No. 211 |
Z | 1 | 2T | ||||
| 303OS3 | Open Seminar 3 | Czech | Z | 1 | 2T | |||||
| 303OS4 | Open Seminar 4 | Czech | Tue 19:00–20:35 Room No. 211 |
Z | 1 | 2T | ||||
| 303OS5 | Open Seminar 5 | Czech | Z | 1 | 2T | |||||
| 303OS6 | Open Seminar 6 | Czech | Tue 19:00–20:35 Room No. 211 |
Z | 1 | 2T | ||||
| 303OS7 | Open Seminar 7 | Czech | Z | 1 | 2T | |||||
| 303OS8 | Open Seminar 8 | Czech | Tue 19:00–20:35 Room No. 211 |
Z | 1 | 2T | ||||
| 303OS9 | Open Seminar 9 | Czech | Z | 1 | 2T | |||||
| 305VROT | Origin and Reflection of Specialised Text | Czech | Z | 2 | 2T | |||||
| 380MFP | Photography and Law | Czech | 16:00–19:00 Room No. 112 |
Z | 1 | |||||
| 307MPOTS | Photography of the Scale | English | Z | 1 | ||||||
| 304PD1 | Photoshop - Digital special effects 1 | Czech | Z | 2 | 2T | |||||
| 304PD2 | Photoshop - Digital special effects 2 | Czech | Mon 15:40–17:15 Room No. 226 |
Z | 2 | 2T | ||||
| 373SPO | Possible scenarios of moving image | Czech | Thu 14:00–15:35 Room No. 423 |
Z | 1 | 2T | ||||
| 306PD1 | Practical Dramaturgy 1 | Czech | Z | 1 | 26S | |||||
| 306PD2 | Practical Dramaturgy 2 | Czech | Tue 13:10–16:25 Room No. 311 |
ZK | 2 | 26S | ||||
| 302FR | Practical Film Language | Czech | Z | 1 | ||||||
| 300PPS1 | Practical Work for FAMU 1 | Czech | Z | 1 | Z | 1 | ||||
| 300PPS0 | Practical Work for FAMU 10 | Czech | Z | 10 | Z | 10 | ||||
| 300PPS2 | Practical Work for FAMU 2 | Czech | Z | 2 | Z | 2 | ||||
| 300PPS3 | Practical Work for FAMU 3 | Czech | Z | 3 | Z | 3 | ||||
| 300PPS4 | Practical Work for FAMU 4 | Czech | Z | 4 | Z | 4 | ||||
| 300PPS5 | Practical Work for FAMU 5 | Czech | Z | 5 | Z | 5 | ||||
| 300PPS6 | Practical Work for FAMU 6 | Czech | Z | 6 | Z | 6 | ||||
| 300PPS7 | Practical Work for FAMU 7 | Czech | Z | 7 | Z | 7 | ||||
| 300PPS8 | Practical Work for FAMU 8 | Czech | Z | 8 | Z | 8 | ||||
| 300PPS9 | Practical Work for FAMU 9 | Czech | Z | 9 | Z | 9 | ||||
| 373MPAD | Procedural audio design for soundtracks and immersive audio | English | see detail | |||||||
| 301PD | Producer's Dramaturgy | Czech | Wed 10:40–13:05 Room No. 434 |
Z | 2 | 2T | ||||
| 306PI1 | Professional intership 1 | English | Z | 4 | 100S | |||||
| 303MPOMP | Professional organizations - manual to protect your rights | Czech | 10:00–16:00 Room No. 217 |
Z | 1 | 6S | ||||
| 305PO | Programming and Business | Czech | ZK | 3 | 2T | |||||
| 306PO3 | Psychology and Profile of Personality 3 | Czech | ZK | 2 | ||||||
| 306PO1 | Psychology of Personality 1 | Czech | Z | 1 | 26S | |||||
| 306PO2 | Psychology of Personality 2 | Czech | Thu 09:50–13:05 Room No. 6 |
ZK | 2 | 26S | ||||
| 305PUBR1 | Public Relations 1 | Czech | Z | 2 | 24S | |||||
| 305PUBR2 | Public Relations 2 | Czech | Tue 17:20–18:55 |
Z | 2 | 28S | ||||
| 373MQOV | Queers on The Verge | English | ||||||||
| 300FFCT | Reading on Film Theories A | Czech | Z,ZK | 6 | ||||||
| 373PD1 | Screenings and Dialogues 1 | Czech | ZK | 1 | 3T | |||||
| 373PD2 | Screenings and Dialogues 2 | Czech | Mon 19:00–21:25 Městská knihovna - velký sál |
ZK | 1 | 3T | ||||
| 373PD3 | Screenings and Dialogues 3 | Czech | ZK | 1 | 3T | |||||
| 373PD4 | Screenings and Dialogues 4 | Czech | Mon 19:00–21:25 Městská knihovna - velký sál |
ZK | 1 | 3T | ||||
| 373PD5 | Screenings and Dialogues 5 | Czech | ZK | 1 | 3T | |||||
| 373PD6 | Screenings and Dialogues 6 | Czech | Mon 19:00–21:25 Městská knihovna - velký sál |
ZK | 1 | 3T | ||||
| 301AS | Screenplay Analysis | Czech | Tue 17:20–20:35 Room No. 7 |
Z | 2 | 2T | ||||
| 301KD1 | Screenwriting - Consultation Workshop 1 | Czech | Z | 1 | 9S | |||||
| 301KD2 | Screenwriting - Consultation Workshop 2 | Czech | Z | 1 | 9S | |||||
| 311SA1 | Script Analysis 1 | English | Thu 14:00–15:35 Room No. 1 |
Z | 3 | 2T | Z | 3 | 2T | |
| 311SA2 | Script Analysis 2 | English | Mon 19:00–22:00 Room No. 1 |
ZK | 3 | 2T | ||||
| 305DPR | Script Editing for Producers | Czech | Wed 13:10–13:55 Room No. 329 |
Z | 2 | 14S | ||||
| 301DL1 | Selected Chapters of Literature 1 | Czech | Z | 2 | 2T | |||||
| 302RPH1 | Seminar of directing - working with the actor 1 | Czech | ZK | 2 | 3T | |||||
| 373SAVA | Seminar on Audiovisual Analysis | Czech | ZK | 3 | 2T | |||||
| 373SKS1 | Seminar on Criticism and Stylistics 1 | Czech | ZK | 2 | 2T | |||||
| 305FTS1 | Set Design in Film and TV 1 | Czech | Z | 1 | 16S | |||||
| 305FTS2 | Set Design in Film and TV 2 | Czech | Tue 17:20–18:55 Room No. 4 |
Z | 1 | 14S | ||||
| 302KSSR | Short Movie from Scriptwriter to Director | Czech | Z | 2 | 3T | |||||
| 306DZ1 | Sound Dramaturgy 1 | Czech | Z | 1 | 2T | |||||
| 308ZHDA | Sound Dramaturgy in Audiovisual Works | Czech | see detail | ZK | 2 | 2T | ||||
| 308ZEK | Sound Ecology and Soundscape | Czech | ZK | 2 | 2T | |||||
| 373SS3 | Sound on Screen 3 | English, Czech | Thu 19:00–21:00 Projection Room |
Z | 1 | 12S | ||||
| 304VEF1 | Special Effects in Film and TV 1 | Czech | Z | 1 | 2T | |||||
| 304VEF2 | Special Effects in Film and TV 2 | Czech | ZK | 2 | 2T | |||||
| 304VEF3 | Special Effects in Film and TV 3 | Czech | Z | 1 | 2T | |||||
| 304VEF4 | Special Effects in Film and TV 4 | Czech | Wed 15:40–17:15 Room No. 226 |
ZK | 2 | 2T | ||||
| 309CM1 | Special Exercises 1 | Czech | ||||||||
| 309CM2 | Special Exercises 2 | Czech | ||||||||
| 309CM3 | Special Exercises 3 | Czech | ||||||||
| 302SVK1 | Stage setting in the Cinematography 1 | Czech | Z | 1 | 21S | |||||
| 302SAV2 | Stage setting in the Cinematography 2 | Czech | Tue 12:20–14:45 Projection Room |
Z | 2 | 21S | ||||
| 302SVK3 | Stage setting in the Cinematography 3 | Czech | Z | 1 | 21S | |||||
| 302SAV4 | Stage setting in the Cinematography 4 | Czech | Tue 12:20–14:45 Projection Room |
Z | 2 | 21S | ||||
| 309SOS | Storyboard Seminar 1 | Czech | ZK | 2 | 2T | |||||
| 301OSSD1 | Study Seminar KSD 1 | Czech | Z | 2 | 4T | |||||
| 301OSSD0 | Study Seminar KSD 10 | Czech | Wed 18:10–20:35 Room No. 7 |
Z | 2 | 4T | ||||
| 301OSSD2 | Study Seminar KSD 2 | Czech | Wed 18:10–20:35 Room No. 7 |
Z | 2 | 4T | ||||
| 301OSSD3 | Study Seminar KSD 3 | Czech | Z | 2 | 4T | |||||
| 301OSSD4 | Study Seminar KSD 4 | Czech | Wed 18:10–20:35 Room No. 7 |
Z | 2 | 4T | ||||
| 301OSSD5 | Study Seminar KSD 5 | Czech | Z | 2 | 4T | |||||
| 301OSSD6 | Study Seminar KSD 6 | Czech | Wed 18:10–20:35 Room No. 7 |
Z | 2 | 4T | ||||
| 301OSSD7 | Study Seminar KSD 7 | Czech | Z | 2 | 4T | |||||
| 301OSSD8 | Study Seminar KSD 8 | Czech | Wed 18:10–20:35 Room No. 7 |
Z | 2 | 4T | ||||
| 301OSSD9 | Study Seminar KSD 9 | Czech | Z | 2 | 4T | |||||
| 306TV | Technology - video | English | Z | 2 | 26S | |||||
| 305TST1 | Television Seminar and Television Formats Trends 1 | Czech | ZK | 3 | 2T | |||||
| 306TETE | Television Technic and Technology | Czech | Tue 09:00–10:35 Room No. 1 |
ZK | 2 | 2T | ||||
| 373UPO | The Art of the Moving Image | Czech | Z | 2 | 2T | |||||
| 308ZTEZ | The Basics of Electroacoustic Sound Design | Czech | Wed 16:30–18:05 Room No. 320 |
Z | 1 | 2T | ||||
| 308ZH | The Basics of Music | Czech | ZK | 2 | 2T | |||||
| 304KO | The Camera Eye | Czech | Mon 19:00–20:35 Room No. 230 |
Z | 1 | 2T | ||||
| 306GFJ1 | The Grammar of Film Language 1 | Czech | Tue 15:40–18:05 Room No. 312 |
Z | 1 | 2T | ||||
| 306GFJ2 | The Grammar of Film Language 2 | Czech | ZK | 2 | 2T | |||||
| 306GFJ3 | The Grammar of Film Language 3 | Czech | Tue 15:40–18:05 Room No. 311 |
Z | 1 | 26S | ||||
| 306GFJ4 | The Grammar of Film Language 4 | Czech | ZK | 3 | 26T | |||||
| 305HSZ | The History and Present of Contemporary TV Genres | Czech | Wed 15:40–17:15 Room No. 334 |
Z | 1 | 24S | ||||
| 373DECK1 | The History of Czech Cinema 1 | Czech | ZK | 2 | 6T | |||||
| 373DECK2 | The History of Czech Cinema 2 | Czech | see detail | ZK | 2 | 6T | ||||
| 373DSK1 | The History of World Cinema 1 | Czech | ZK | 2 | 6T | |||||
| 373DSK2 | The History of World Cinema 2 | Czech | see detail | ZK | 2 | 6T | ||||
| 373DSK3 | The History of World Cinema 3 | Czech | ZK | 2 | 6T | |||||
| 373MOM1 | The Power of the Image, The Image of Power 1 | Czech | Z | 2 | 2T | |||||
| 373MOM2 | The Power of the Image, The Image of Power 2 | Czech | Wed 16:30–18:05 Room No. 7 |
ZK | 2 | 2T | ||||
| 305PEZ | The Production of Virtual Entertainment | Czech | Z | 2 | 2T | |||||
| 303ZSD1 | The Variety of Documentary Film Genres 1 | Czech | Z | 1 | 2T | |||||
| 303ZSD2 | The Variety of Documentary Film Genres 2 | Czech | Thu 15:40–17:15 Room No. 217 |
ZK | 2 | 2T | ||||
| 380MVT | The vegetable transfer. Plants, crops and the photographic surface | English | Z | 1 | 5S | |||||
| 308TFIH1 | Theory of Film Music 1 | Czech | Z | 1 | 14S | |||||
| 308TFIH2 | Theory of Film Music 2 | Czech | Tue 16:30–17:15 Room No. 5 |
ZK | 1 | 12S | ||||
| 373NMM1 | Thought and Media 1 | Czech | Z | 2 | 2T | |||||
| 380MTPA | Towards a Practical Aesthetics | English | Z | 1 | 5S | |||||
| 306MEO3 | Trailer editing of Ex Oriente Film workshop projects 3 | English | Z | 2 | 2/D | |||||
| 373MUGE1 | Unity Game Engine for Artists 1 | English, Czech | Z | 2 | 40S | |||||
| 373MUGE2 | Unity Game Engine for Artists 2 | English, Czech | see detail | Z | 2 | 3T | ||||
| 306MVI | Visione Italiane 2019: Short Films | Czech | 09:30–12:00 Projection Room |
Z | 1 | 1D | ||||
| 303MEDMP | Walk through East Doc Platform 2019 | English, Czech | see detail | Z | 1 | 8S | ||||
| 303MPASF | Working with archives on the documentary film about Miloš Forman | Czech | see detail | Z | 1 | 7S | ||||
| 309DAS3 | Workshop (Screenplay) 3 | Czech | Mon 13:10–14:45 Room No. 420 |
Z | 1 | 3T | ||||
| 309DAS5 | Workshop (Screenplay) 5 | Czech | Mon 13:10–15:45 Room No. 420 |
Z | 1 | 3T | ||||
| 309DAS7 | Workshop (Screenplay) 7 | Czech | Mon 13:10–15:45 Room No. 420 |
Z | 1 | 3T | ||||
| 373MLVL | Workshop Laurent Van Lancker: cinema, anthropology | English | Z | 1 | 6S | |||||
| 303MWOMP | Workshop Mikael Opstrup: documentary film pitching | English, Czech | see detail | Z | 1 | 7S | ||||
| 306DFU1 | Workshop of Film Teaching 1 | Czech | Z | 4 | 24S | |||||
| 306DFU2 | Workshop of Film Teaching 2 | Czech | Thu 14:00–17:15 Room No. 311 |
Z | 4 | 20S | ||||
| 301SVL1 | World Literature 1 | Czech | Z | 1 | 2T | |||||
| 301SVL2 | World Literature 2 | Czech | Tue 10:40–12:15 Room No. 7 |
ZK | 2 | 2T | ||||
| 301SVL3 | World Literature 3 | Czech | Z | 1 | 2T | |||||
| 301SVL4 | World Literature 4 | Czech | Thu 14:00–15:35 Room No. 432 |
ZK | 2 | 2T | ||||
| 373MZARS | Žižkov - Artist run spaces | Czech | Z | 1 | 6S | |||||